My wishes for you in year 2010
Great start for Jan,
Love for Feb,
Peace for march,
No worries for April
Fun for May,
Joy for June to Nov,
Happiness for Dec,
Have a lucky and wonderful 2010.
0
My wishes for you in year 2010
Great start for Jan,
Love for Feb,
Peace for march,
No worries for April
Fun for May,
Joy for June to Nov,
Happiness for Dec,
Have a lucky and wonderful 2010.
Happy New Year
My wishes for you in year 2010
Great start for Jan,
Love for Feb,
Peace for march,
No worries for April
Fun for May,
Joy for June to Nov,
Happiness for Dec,
Have a lucky and wonderful 2010.
0
A mafioso's son sits at his desk writing a Christmas list to Jesus. He first writes, "Dear baby Jesus, I have been a good boy the whole year, so I want a new..." He looks at it, then crumples it up into a ball and throws it away.
He gets out a new piece of paper and writes again, "Dear baby Jesus, I have been a good boy for most of the year, so I want a new..." He again looks at it with disgust and throws it away.
He then gets an idea. He goes into his mother's room, takes a statue of the Virgin Mary, puts it in the closet, and locks the door. He takes another piece of paper and writes, "Dear baby Jesus. If you ever want to see your mother again..."
Mafia Christmas Humor
He gets out a new piece of paper and writes again, "Dear baby Jesus, I have been a good boy for most of the year, so I want a new..." He again looks at it with disgust and throws it away.
He then gets an idea. He goes into his mother's room, takes a statue of the Virgin Mary, puts it in the closet, and locks the door. He takes another piece of paper and writes, "Dear baby Jesus. If you ever want to see your mother again..."
0
From Wikipedia, the free encyclopedia
Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.
Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.
Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]
The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.
1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]
By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]
Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].
Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.
Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.
In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.
Other "Little Italies" in Chicago
A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."
Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]
"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]
References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.
From Wikipedia, the free encyclopedia
Little Italy, Chicago
From Wikipedia, the free encyclopedia
Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.
Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.
Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]
The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.
1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]
By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]
Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].
Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.
Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.
In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.
Other "Little Italies" in Chicago
A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."
Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]
"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]
References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.
From Wikipedia, the free encyclopedia
0
1. The "living room" was called the "front room."
2. You don't pronounce the "s" at the end of Illinois. You become irate at people who do.
3. You measure distance in minutes (especially "from the city"). And you swear everything is pretty much 1/2 hour away.
4. You have no problem spelling or pronouncing "Des Plaines."
5. You go to visit friends or family down south and laugh when they complain about the traffic.
6. You understand that no person from Chicago can be a Cub fan AND a White Sox fan.
7. It's "kitty corner" not "katty corner".
8. You know the difference between"The Loop"and "Downtown."
9. You eat your pizza in squares, not triangles, and you never refer to it as "pie"
10. You own celery salt.
11. You understand that the primary is the official local election.
12. You know what a garache-key is!
13. Stores don't have sacks, they have bags.
14. You end your sentences with an unnecessary preposition. Example: "Where's my coat at?" or "Can I go with?"
15. Your idea of a great tenderloin is when the meat is twice as big as the bun, "everything" is on it and a slice of dill pickle is on the side.
16. You carry jumper cables in your car.
17. You drink "pop."
18. You understand that I-290, I-90, I-94, and I-294 are all different roads.
19. You know the names of the interstates: Stevenson, Kennedy, Eisenhower, Dan Ryan, and the Eden's.
20. But you call the interstates "expressways."
21. You refer to anything South of I-80 as "Southern or Central Illinois."
22. You refer to Lake Michigan as "The Lake."
23. You refer to Chicago as "The City."
24. "The Super Bowl" refers to one specific game in January, 1986.
25. You have two favorite football teams: The Bears, and anyone who beats the Packers.
26. You buy "The Trib" and not the Tribune.
27. You know that despite being on the lake, there is no such place as the Waterfront.
28. You think 45 degrees is great weather to wash your car.
29. You picnic or ride your bike in the "fore st preserve."
30. You cried when Bozo was canceled on WGN.
31. You know what goes on a Chicago-style hot dog.
32. You know what Chicago Style Pizza REALLY is.
33. You know why they call Chicago "The Windy City."
34. You understand what "lake-effect" means.
35. You know the difference between Amtrak and Metra, and know at which station they end up.
37. You have ridden the "L."
38. You think your next-door neighbor is a cousin to Tony Soprano.
39. You can distinguish between the following area codes: 847, 630, 773, 708, 312, & 815.
40. You have at some time in your life used your furniture or a friend's body to guard your parking spot in winter.
41. You respond to the question "Where are you from?" with a "side." Example: "West Side," "South Side" or "North Side."
42. You know the phone number for Empire Carpet!
Ya Know Your From Chicago When...................
1. The "living room" was called the "front room."
2. You don't pronounce the "s" at the end of Illinois. You become irate at people who do.
3. You measure distance in minutes (especially "from the city"). And you swear everything is pretty much 1/2 hour away.
4. You have no problem spelling or pronouncing "Des Plaines."
5. You go to visit friends or family down south and laugh when they complain about the traffic.
6. You understand that no person from Chicago can be a Cub fan AND a White Sox fan.
7. It's "kitty corner" not "katty corner".
8. You know the difference between"The Loop"and "Downtown."
9. You eat your pizza in squares, not triangles, and you never refer to it as "pie"
10. You own celery salt.
11. You understand that the primary is the official local election.
12. You know what a garache-key is!
13. Stores don't have sacks, they have bags.
14. You end your sentences with an unnecessary preposition. Example: "Where's my coat at?" or "Can I go with?"
15. Your idea of a great tenderloin is when the meat is twice as big as the bun, "everything" is on it and a slice of dill pickle is on the side.
16. You carry jumper cables in your car.
17. You drink "pop."
18. You understand that I-290, I-90, I-94, and I-294 are all different roads.
19. You know the names of the interstates: Stevenson, Kennedy, Eisenhower, Dan Ryan, and the Eden's.
20. But you call the interstates "expressways."
21. You refer to anything South of I-80 as "Southern or Central Illinois."
22. You refer to Lake Michigan as "The Lake."
23. You refer to Chicago as "The City."
24. "The Super Bowl" refers to one specific game in January, 1986.
25. You have two favorite football teams: The Bears, and anyone who beats the Packers.
26. You buy "The Trib" and not the Tribune.
27. You know that despite being on the lake, there is no such place as the Waterfront.
28. You think 45 degrees is great weather to wash your car.
29. You picnic or ride your bike in the "fore st preserve."
30. You cried when Bozo was canceled on WGN.
31. You know what goes on a Chicago-style hot dog.
32. You know what Chicago Style Pizza REALLY is.
33. You know why they call Chicago "The Windy City."
34. You understand what "lake-effect" means.
35. You know the difference between Amtrak and Metra, and know at which station they end up.
37. You have ridden the "L."
38. You think your next-door neighbor is a cousin to Tony Soprano.
39. You can distinguish between the following area codes: 847, 630, 773, 708, 312, & 815.
40. You have at some time in your life used your furniture or a friend's body to guard your parking spot in winter.
41. You respond to the question "Where are you from?" with a "side." Example: "West Side," "South Side" or "North Side."
42. You know the phone number for Empire Carpet!
0
Listing of the Mob Rats, Snitches and Beefers
Richard Cain
(Sam Giancana's former driver)
His role in Cook County Sheriff's History
John Christopher (Operation Silver Shovel)
Robert Cooley (Operation Gambat)
Salvatore "Sammy The Bull" Gravano
(beefed on New York's Gambino Family Boss John "The Dapper Don" Gotti)
Henry Hill (Goodfellas fame)
Joseph "Joe Dogs" Iannuzzi
Florida member of the Gambino Family
William "B.J." Jahoda (Cicero, Illinois)
See Ernest Rocco Infelise
Angelo Lonardo
Cleveland Underboss & Snitch
Philip Leonetti
(Philadelphia/Atlantic City Mob)
Michael Raymond
Terry Salem
(Las Vegas Mob pal & rat)
Louis Shumway
Al Capone Accountant & Snitch
Joseph Valachi
Genovese Soldier who turned on his bosses in 1963
Cameron Crawford
Az snitch
Mob Beefers
Listing of the Mob Rats, Snitches and Beefers
Richard Cain
(Sam Giancana's former driver)
His role in Cook County Sheriff's History
John Christopher (Operation Silver Shovel)
Robert Cooley (Operation Gambat)
Salvatore "Sammy The Bull" Gravano
(beefed on New York's Gambino Family Boss John "The Dapper Don" Gotti)
Henry Hill (Goodfellas fame)
Joseph "Joe Dogs" Iannuzzi
Florida member of the Gambino Family
William "B.J." Jahoda (Cicero, Illinois)
See Ernest Rocco Infelise
Angelo Lonardo
Cleveland Underboss & Snitch
Philip Leonetti
(Philadelphia/Atlantic City Mob)
Michael Raymond
Terry Salem
(Las Vegas Mob pal & rat)
Louis Shumway
Al Capone Accountant & Snitch
Joseph Valachi
Genovese Soldier who turned on his bosses in 1963
Cameron Crawford
Az snitch
0
The Buckinghams formed in 1965 when Carl Giammarese and Nick Fortuna of The Centuries joined up with Jon Jon Poulos and Dennis Tufano of The Pulsations. After adding keyboard player Dennis Miccoli, the group won a 'Battle of the Bands' for a Chicago TV show called All Time Hits and became regulars on the show for 14 weeks. The British invasion was happening at that time and the TV show wanted the band to have a more British sounding name. A security guard that worked for the TV station suggested the name The Buckinghams.
Landing a contract with Chicago's USA Records in 1966, the group was sent to Chess studios where they were paired with producer Dan Belloc. Their first releases were all cover versions of other artists songs: James Brown's "I'll Go Crazy", the Beatles' "I Call Your Name" and the Hollies' "I've Been Wrong Before." While these songs did well in the Chicago area, it took the wistful, Jim Holvay written, "Kind of a Drag" to break the group nationally. The song featured the powerful vocals of Dennis Tufano and a punchy, soul-styled horn section that was the brainchild of James Guercio, who would later go on to produce the band Chicago. Soon after "Kind Of A Drag" was recorded, Dennis Miccoli was replaced by Marty Grebb, the keyboard player from the Chicago folk-rock band The Exceptions.
In just a few weeks, the Buckinghams had a million-selling, chart-topper on their hands. "Kind of a Drag" did for The Buckinghams what no other act seemed to be able to do at that time...knock the Monkees' monster hit "I'm A Believer" out of the #1 spot.
After the demise of USA Records, the Buckinghams signed with Columbia Records and followed "Kind Of A Drag" with a cover version of Lloyd Price's, "Lawdy Miss Clawdy" that quickly stalled at number 36. Columbia wasted no time in going back to the formula that worked so well the first time out, releasing another song co-written by Jim Holvay along with Gary Beisbier called "Don't You Care". That effort secured another top ten hit, when it reached number 6 on the Billboard chart. Not all of their singles had quite as much success though, as "Back In Love Again" topped out at #32.
Cashing in on a good thing, The Buckinghams appeared on The Ed Sullivan Show, The Jerry Lewis Show, American Bandstand, The Smothers Brothers, Entertainment Tonight, P.M. Magazine, and Classic Rock with Wolfman Jack. Between appearances, the band recorded a vocal adaptation of Cannonball Adderley's jazz standard "Mercy, Mercy, Mercy," that soared to number 5.
Still in 1967, Columbia kept pushing out Buckingham singles and a Holvay / Beisbier / Guercio composition called "Susan" made it up to number 11, while "Hey Baby" (They're Playin' Our Song) went to number 12.
Despite selling millions of records and being voted "The Most Listened-To Band of 1967" by Billboard Magazine, the band's Fortunas began to decline in 1968. Their cleverly titled album, "In One Ear and Gone Tomorrow" seemed to be a forecast of things to come, as the LP couldn't produce a hit single. Several line-up changes only undermined their sound and by late 1969, The Buckinghams had decided to pack it in.
Carl Giammarese and Dennis Tufano continued working as an acoustic duo. Work was tough to find and Chicago area clubs were not interested. A demo tape for Reprise Records was turned down. Jon Poulos had started to manage local bands and tried to help. Giammarese and Tufano recorded an entire album demo for Poulos to promote, but nobody wanted to sign them. From there the pair contacted producer Jack Richardson, who worked with The Guess Who. Richardson brought in members of Poco as studio musicians and they laid down three promotional tracks. Poulos sent the demo to every major label, but got no response. He finally contacted former Mamas and Papas producer Lou Adler, who now had his own custom label, Ode Records. Two days after receiving the tape, Adler called to say that he liked the sound and Giammarese and Tufano flew to Los Angeles to audition live. Adler was even more impressed and signed them.
A self-titled Tufano - Giammarese album was released on Ode in 1973 and the first single, "Music Everywhere" managed to climb to #68 on Billboard's Hot 100. A second tune called "Rise Up" was issued the same year, but did not chart. To promote the album, Tufano and Giammarese went out on a two month, nine state promotional tour with Cheech & Chong.
Four tracks for a second album for Ode had been finished when Lou Adler took sick and had to keep leaving the sessions. A discouraged Giammarese decided he'd had enough and began doing session work. During this period, Adler's health declined to a point where he could not make records anymore, but eventually, the second album, titled "The Tufano & Giammarese Band" came together. When the subject of a third album came up, Adler said he will not do another unless he had assurance that Giammarese would stick around for the whole project. To get back on track, the pair assembled a new band, worked clubs and learned new songs. Lou Adler agreed to produce a third LP called "The Other Side". By now Ode was being distributed by Epic Records. Adler hired Hank Cicalo as an engineer and Tom Scott to arrange. On the first day of recording, Adler announced 'I cannot produce anymore, I lost my ear. I want to make movies.' Tom Scott and Hank Cicalo became the producers. The record was finished and made it into record stores, but one week later, Adler cut off the distribution deal with Epic. He wanted to be distributed by Columbia instead. Adler re-released the album, but Columbia had little interest and failed to promote it.
In 1980 The Buckinghams were invited to do a reunion by Chicago radio station WLS. Marty Grebb had to decline because he was working with Leon Russell. 32 year old Jon Jon Poulos died of drug-related causes earlier in the year. It had been eleven years since anyone had seen The Buckinghams play, but after they rehearsed, the pulled off three shows like they had never been apart. The exposure brought a lot of other offers to appear, but Tufano lived in Los Angeles and had other commitments. Carl Giammarese and Nick Fortuna however, decided to reunite as The Buckinghams.
The band toured extensively as a nostalgia act with Giammarese and Fortuna and released new recordings, the album "A Matter Of Time" and the single "Veronica" in 1985 for Red Label records. They were also a part of the highly successful Happy Together Tour which featured The Turtles, The Grass Roots and Gary Lewis. The tour was consistently one of the Top 10 grossing tours.
During the '80s and 90s, Tufano was not only involved in acting, but joined up with Elton John's songwriting partner, Bernie Taupin in a band called Farm Dogs. An album by Farm Dogs, "Last Stand In Open Country" was released in July, 1996 on Discovery Records.
The Buckinghams continued to be a very impressive band, playing festivals, concerts, casinos, cruises, and corporate dates around the world as interest in 60's hits and the bands that made them famous continued. Their clean and tight musical ability combined with trademark vocals made them a popular draw.
More recently, the latest edition of The Buckinghams released some new recordings that include, 1998's "Terra Firma" and "Made In Chicago" in 2001. In October, 2004, The Buckinghams sang the national anthem at Comiskey Park in Chicago before game one of the American Baseball League playoffs. They also toured the country with the "Solid Gold Sixties Tour" along with Tommy James, The Turtles, The Grass Roots, Paul Revere and the Raiders and Gary Puckett.
The Buckinghams Chicago's Own
The Buckinghams formed in 1965 when Carl Giammarese and Nick Fortuna of The Centuries joined up with Jon Jon Poulos and Dennis Tufano of The Pulsations. After adding keyboard player Dennis Miccoli, the group won a 'Battle of the Bands' for a Chicago TV show called All Time Hits and became regulars on the show for 14 weeks. The British invasion was happening at that time and the TV show wanted the band to have a more British sounding name. A security guard that worked for the TV station suggested the name The Buckinghams.
Landing a contract with Chicago's USA Records in 1966, the group was sent to Chess studios where they were paired with producer Dan Belloc. Their first releases were all cover versions of other artists songs: James Brown's "I'll Go Crazy", the Beatles' "I Call Your Name" and the Hollies' "I've Been Wrong Before." While these songs did well in the Chicago area, it took the wistful, Jim Holvay written, "Kind of a Drag" to break the group nationally. The song featured the powerful vocals of Dennis Tufano and a punchy, soul-styled horn section that was the brainchild of James Guercio, who would later go on to produce the band Chicago. Soon after "Kind Of A Drag" was recorded, Dennis Miccoli was replaced by Marty Grebb, the keyboard player from the Chicago folk-rock band The Exceptions.
In just a few weeks, the Buckinghams had a million-selling, chart-topper on their hands. "Kind of a Drag" did for The Buckinghams what no other act seemed to be able to do at that time...knock the Monkees' monster hit "I'm A Believer" out of the #1 spot.
After the demise of USA Records, the Buckinghams signed with Columbia Records and followed "Kind Of A Drag" with a cover version of Lloyd Price's, "Lawdy Miss Clawdy" that quickly stalled at number 36. Columbia wasted no time in going back to the formula that worked so well the first time out, releasing another song co-written by Jim Holvay along with Gary Beisbier called "Don't You Care". That effort secured another top ten hit, when it reached number 6 on the Billboard chart. Not all of their singles had quite as much success though, as "Back In Love Again" topped out at #32.
Cashing in on a good thing, The Buckinghams appeared on The Ed Sullivan Show, The Jerry Lewis Show, American Bandstand, The Smothers Brothers, Entertainment Tonight, P.M. Magazine, and Classic Rock with Wolfman Jack. Between appearances, the band recorded a vocal adaptation of Cannonball Adderley's jazz standard "Mercy, Mercy, Mercy," that soared to number 5.
Still in 1967, Columbia kept pushing out Buckingham singles and a Holvay / Beisbier / Guercio composition called "Susan" made it up to number 11, while "Hey Baby" (They're Playin' Our Song) went to number 12.
Despite selling millions of records and being voted "The Most Listened-To Band of 1967" by Billboard Magazine, the band's Fortunas began to decline in 1968. Their cleverly titled album, "In One Ear and Gone Tomorrow" seemed to be a forecast of things to come, as the LP couldn't produce a hit single. Several line-up changes only undermined their sound and by late 1969, The Buckinghams had decided to pack it in.
Carl Giammarese and Dennis Tufano continued working as an acoustic duo. Work was tough to find and Chicago area clubs were not interested. A demo tape for Reprise Records was turned down. Jon Poulos had started to manage local bands and tried to help. Giammarese and Tufano recorded an entire album demo for Poulos to promote, but nobody wanted to sign them. From there the pair contacted producer Jack Richardson, who worked with The Guess Who. Richardson brought in members of Poco as studio musicians and they laid down three promotional tracks. Poulos sent the demo to every major label, but got no response. He finally contacted former Mamas and Papas producer Lou Adler, who now had his own custom label, Ode Records. Two days after receiving the tape, Adler called to say that he liked the sound and Giammarese and Tufano flew to Los Angeles to audition live. Adler was even more impressed and signed them.
A self-titled Tufano - Giammarese album was released on Ode in 1973 and the first single, "Music Everywhere" managed to climb to #68 on Billboard's Hot 100. A second tune called "Rise Up" was issued the same year, but did not chart. To promote the album, Tufano and Giammarese went out on a two month, nine state promotional tour with Cheech & Chong.
Four tracks for a second album for Ode had been finished when Lou Adler took sick and had to keep leaving the sessions. A discouraged Giammarese decided he'd had enough and began doing session work. During this period, Adler's health declined to a point where he could not make records anymore, but eventually, the second album, titled "The Tufano & Giammarese Band" came together. When the subject of a third album came up, Adler said he will not do another unless he had assurance that Giammarese would stick around for the whole project. To get back on track, the pair assembled a new band, worked clubs and learned new songs. Lou Adler agreed to produce a third LP called "The Other Side". By now Ode was being distributed by Epic Records. Adler hired Hank Cicalo as an engineer and Tom Scott to arrange. On the first day of recording, Adler announced 'I cannot produce anymore, I lost my ear. I want to make movies.' Tom Scott and Hank Cicalo became the producers. The record was finished and made it into record stores, but one week later, Adler cut off the distribution deal with Epic. He wanted to be distributed by Columbia instead. Adler re-released the album, but Columbia had little interest and failed to promote it.
In 1980 The Buckinghams were invited to do a reunion by Chicago radio station WLS. Marty Grebb had to decline because he was working with Leon Russell. 32 year old Jon Jon Poulos died of drug-related causes earlier in the year. It had been eleven years since anyone had seen The Buckinghams play, but after they rehearsed, the pulled off three shows like they had never been apart. The exposure brought a lot of other offers to appear, but Tufano lived in Los Angeles and had other commitments. Carl Giammarese and Nick Fortuna however, decided to reunite as The Buckinghams.
The band toured extensively as a nostalgia act with Giammarese and Fortuna and released new recordings, the album "A Matter Of Time" and the single "Veronica" in 1985 for Red Label records. They were also a part of the highly successful Happy Together Tour which featured The Turtles, The Grass Roots and Gary Lewis. The tour was consistently one of the Top 10 grossing tours.
During the '80s and 90s, Tufano was not only involved in acting, but joined up with Elton John's songwriting partner, Bernie Taupin in a band called Farm Dogs. An album by Farm Dogs, "Last Stand In Open Country" was released in July, 1996 on Discovery Records.
The Buckinghams continued to be a very impressive band, playing festivals, concerts, casinos, cruises, and corporate dates around the world as interest in 60's hits and the bands that made them famous continued. Their clean and tight musical ability combined with trademark vocals made them a popular draw.
More recently, the latest edition of The Buckinghams released some new recordings that include, 1998's "Terra Firma" and "Made In Chicago" in 2001. In October, 2004, The Buckinghams sang the national anthem at Comiskey Park in Chicago before game one of the American Baseball League playoffs. They also toured the country with the "Solid Gold Sixties Tour" along with Tommy James, The Turtles, The Grass Roots, Paul Revere and the Raiders and Gary Puckett.
0
How six recent Columbia College grads got Hollywood muscle to help them make their mob movie
Chris Charles says he warned his star up front: "But I don't think it really registered till his first day of shooting in downtown Chicago."
Charles had cast Frank Vincent as the lead in Chicago Overcoat, an independent drama that will receive its world premiere Saturday, October 10, at the Chicago International Film Festival. Known almost exclusively for playing gangsters—including New York crime boss Phil Leotardo on The Sopranos and Billy Batts, who ends up in a trunk in Goodfellas—Vincent, 70, got to the set in October 2007 and realized that most of the crew were in their early 20s. "He's looking around like, 'Where'd all these kids come from?'" says Charles, who's now 25.
Chicago Overcoat was the first full-length feature produced by Beverly Ridge Pictures, a company formed in 2005 by six Columbia College film students, including Charles. Writer-director Brian Caunter, now 26, and writer-producer John Bosher, now 25, developed a sideline producing promotional and music videos while roommates at Columbia. Their "booty video," as Caunter calls it, for Joe Glass & IROC's "Two" got heavy rotation on BET Uncut in 2004. The next year, Caunter and Bosher joined forces with Charles, Philip Plowden, Kevin Moss, and William Maursky to form Beverly Ridge, named after Moss's far-south-side neighborhood. "The name sounds Hollywood, but it's also kind of Chicago," Caunter explains. They used Givens Castle, a Beverly landmark, as their logo. Charles directed Beverly Ridge's first production, a short adaptation of the Ray Bradbury short story "The Small Assassin."
In 2006 the six friends worked on a low-budget thriller called The Devil's Dominoes, directed by Scott Prestin, owner of the now-defunct Wicker Park bar Ginbucks. "We realized from that experience that we were more prepared than we thought to make a feature," Charles says. They were all fans of gangster films and figured they could make one without incurring a lot of extra production costs by taking advantage of Chicago locations.
"For months all we had was a title," says Caunter. His grandmother in Ohio had suggested "Chicago Overcoat," Prohibition-era slang for a coffin. The Family Secrets mob trials were in the headlines at the time and wound up providing inspiration for the screenplay.
Vincent plays Lou Marazano, an old hit man for the Chicago Outfit, who accepts his first contract in years—going after witnesses in a union pension-fund embezzlement case—to finance his Vegas retirement. Another Goodfellas vet, Mike Starr, is the underboss who exploits Marazano's money troubles. Another Sopranos alum, Kathrine Narducci, plays Marazano's old flame and alibi. Armand Assante plays the jailed boss facing trial. Chicago-based actor Danny Goldring is the alcoholic detective who's been chasing Marazano since the 1980s. And Stacy Keach does a cameo as a retired investigator pulled off the case when he got too close to city corruption.
"We were huge fans of The Sopranos," Caunter says. "We decided to write the script with Frank Vincent in mind so when he read it he'd feel like the main character is Frank Vincent. His book A Guy's Guide to Being a Man's Man was our character outline." The partners figured that "if we could create roles from scratch for celebrities, knowing they'd want to play something different, something challenging, we'd have an easier time recruiting them," Charles says. "We usually see Frank as a high-rolling mobster, higher on the food chain. In this film he's very humbled, very flawed, taking orders from guys younger than him."
Charles got the script to Vincent's people, and Vincent responded even though it came from unknowns in flyover country. "What appealed to me was the sensitivity of playing the softer side of a mob guy," Vincent says, "a guy who's not in control, who's looking to get the control." Vincent says he met a lot of mafiosi while touring as a drummer for Del Shannon and Paul Anka in the 1960s, helping him perfect a persona he's portrayed in Scorsese masterpieces and B movies alike. "They all have a way of looking at you, of intimidating you," Vincent says. "They're all evil. I can give a look or a stare that people read as evil."
Caunter and Charles signed Vincent at a place called Goodfellas Ristorante near his New Jersey home. "Frank walked in in a jumpsuit with a gold chain, looking like he walked off the set of The Sopranos," Charles says.
Once Vincent signed on, the other leads followed. Joe Mantegna was cast as the detective but dropped out weeks before shooting to take a role on CBS's Criminal Minds. "That was tough," Charles says. "I'd worked very hard to cast Joe." Goldring, who played the last clown killed in the opening bank heist sequence of The Dark Knight, stepped in. "They're so young, but they really got the writing for old-timers down," Goldring says.
The mother of cinematographer Kevin Moss, JoAnne Moss, who runs a real estate title insurance firm, personally invested "hundreds of thousands of dollars" and helped raise the rest of the $2 million budget, according to a report in Crain's Chicago Business. "Originally it was a smaller film. But as we found some success attaching talent, the budget increased," Charles says. "The project just kept getting bigger."
The filmmakers' youth "concerned me, absolutely," Vincent says. "They were younger than my kids. I've never experienced that before in all the films I've done, such a young team. . . . I figured if they were going to screw up, they'd screw up right away. As we progressed into the shoot, it became clear that they really knew what they wanted, and that was enough to make me confident."
Caunter, who turned 24 during the shoot, says he felt like "a chicken with its head cut off. Most of the time you have no idea what's going on. You feel like the world is going to end. You shoot for 12 hours, you come home and feel like you failed. The next day you feel like you want to redeem yourself. I think that's what makes a good movie—the struggle. If everything went your way it might feel kind of washy. I never had that experience, so I don't know."
The biggest adjustment for Caunter was learning to adapt to each actor's approach. "Frank is quite easygoing," he says. "Armand is the polar opposite. Armand would scream obscenities at the top of his lungs before the take. That alone would scare half the set, and then we'd roll the camera."
"They turned me loose," says Goldring. "That can be a dangerous thing for any actor, but they also had the good sense to rein me in. I'm a passion merchant. Doing Chicago Overcoat allowed me to let my passions out. The [character] is . . . ornery. He likes to tip back a few. Even though I don't do that anymore, I can play one on TV."
Accusations of ethnic stereotyping have dogged many of Vincent's projects. Last spring, MillerCoors pulled a series of ads featuring Vincent and Starr as mobsters after complaints from the Order Sons of Italy in America. Chicago Overcoat is no exception. After principal photography wrapped in November 2007, Bosher got an e-mail from Bill Dal Cerro of the advocacy group Italic Institute of America. Dal Cerro wrote, "It saddens—and yes, sickens me—that you are reverting to the oldest game in the book in your quest for Hollywood fame: namely, stoking prejudice against Americans of Italian descent by producing yet another pointless Italian 'mob' movie."
"I told him they can't force us to stop making movies that people want to see," Bosher says. "They have to change people's minds." Let them protest, adds Vincent, who sells "mobbleheads" of his Goodfellas character on his Web site. "It'll do the movie good."
It's going to be tough to recover the $2 million budget in today's independent film market, which is arguably in a deeper slump than the rest of the economy. Todd Slater of LA-based Huntsman Entertainment is shopping the film to distributors. "We've had a lot of offers from smaller companies," Charles says. "We've been waiting patiently for the right buyer. We want an offer we can't refuse
Courtesy of Chicago Reader.com
The Making of a Chicago Outfit
How six recent Columbia College grads got Hollywood muscle to help them make their mob movie
Chris Charles says he warned his star up front: "But I don't think it really registered till his first day of shooting in downtown Chicago."
Charles had cast Frank Vincent as the lead in Chicago Overcoat, an independent drama that will receive its world premiere Saturday, October 10, at the Chicago International Film Festival. Known almost exclusively for playing gangsters—including New York crime boss Phil Leotardo on The Sopranos and Billy Batts, who ends up in a trunk in Goodfellas—Vincent, 70, got to the set in October 2007 and realized that most of the crew were in their early 20s. "He's looking around like, 'Where'd all these kids come from?'" says Charles, who's now 25.
Chicago Overcoat was the first full-length feature produced by Beverly Ridge Pictures, a company formed in 2005 by six Columbia College film students, including Charles. Writer-director Brian Caunter, now 26, and writer-producer John Bosher, now 25, developed a sideline producing promotional and music videos while roommates at Columbia. Their "booty video," as Caunter calls it, for Joe Glass & IROC's "Two" got heavy rotation on BET Uncut in 2004. The next year, Caunter and Bosher joined forces with Charles, Philip Plowden, Kevin Moss, and William Maursky to form Beverly Ridge, named after Moss's far-south-side neighborhood. "The name sounds Hollywood, but it's also kind of Chicago," Caunter explains. They used Givens Castle, a Beverly landmark, as their logo. Charles directed Beverly Ridge's first production, a short adaptation of the Ray Bradbury short story "The Small Assassin."
In 2006 the six friends worked on a low-budget thriller called The Devil's Dominoes, directed by Scott Prestin, owner of the now-defunct Wicker Park bar Ginbucks. "We realized from that experience that we were more prepared than we thought to make a feature," Charles says. They were all fans of gangster films and figured they could make one without incurring a lot of extra production costs by taking advantage of Chicago locations.
"For months all we had was a title," says Caunter. His grandmother in Ohio had suggested "Chicago Overcoat," Prohibition-era slang for a coffin. The Family Secrets mob trials were in the headlines at the time and wound up providing inspiration for the screenplay.
Vincent plays Lou Marazano, an old hit man for the Chicago Outfit, who accepts his first contract in years—going after witnesses in a union pension-fund embezzlement case—to finance his Vegas retirement. Another Goodfellas vet, Mike Starr, is the underboss who exploits Marazano's money troubles. Another Sopranos alum, Kathrine Narducci, plays Marazano's old flame and alibi. Armand Assante plays the jailed boss facing trial. Chicago-based actor Danny Goldring is the alcoholic detective who's been chasing Marazano since the 1980s. And Stacy Keach does a cameo as a retired investigator pulled off the case when he got too close to city corruption.
"We were huge fans of The Sopranos," Caunter says. "We decided to write the script with Frank Vincent in mind so when he read it he'd feel like the main character is Frank Vincent. His book A Guy's Guide to Being a Man's Man was our character outline." The partners figured that "if we could create roles from scratch for celebrities, knowing they'd want to play something different, something challenging, we'd have an easier time recruiting them," Charles says. "We usually see Frank as a high-rolling mobster, higher on the food chain. In this film he's very humbled, very flawed, taking orders from guys younger than him."
Charles got the script to Vincent's people, and Vincent responded even though it came from unknowns in flyover country. "What appealed to me was the sensitivity of playing the softer side of a mob guy," Vincent says, "a guy who's not in control, who's looking to get the control." Vincent says he met a lot of mafiosi while touring as a drummer for Del Shannon and Paul Anka in the 1960s, helping him perfect a persona he's portrayed in Scorsese masterpieces and B movies alike. "They all have a way of looking at you, of intimidating you," Vincent says. "They're all evil. I can give a look or a stare that people read as evil."
Caunter and Charles signed Vincent at a place called Goodfellas Ristorante near his New Jersey home. "Frank walked in in a jumpsuit with a gold chain, looking like he walked off the set of The Sopranos," Charles says.
Once Vincent signed on, the other leads followed. Joe Mantegna was cast as the detective but dropped out weeks before shooting to take a role on CBS's Criminal Minds. "That was tough," Charles says. "I'd worked very hard to cast Joe." Goldring, who played the last clown killed in the opening bank heist sequence of The Dark Knight, stepped in. "They're so young, but they really got the writing for old-timers down," Goldring says.
The mother of cinematographer Kevin Moss, JoAnne Moss, who runs a real estate title insurance firm, personally invested "hundreds of thousands of dollars" and helped raise the rest of the $2 million budget, according to a report in Crain's Chicago Business. "Originally it was a smaller film. But as we found some success attaching talent, the budget increased," Charles says. "The project just kept getting bigger."
The filmmakers' youth "concerned me, absolutely," Vincent says. "They were younger than my kids. I've never experienced that before in all the films I've done, such a young team. . . . I figured if they were going to screw up, they'd screw up right away. As we progressed into the shoot, it became clear that they really knew what they wanted, and that was enough to make me confident."
Caunter, who turned 24 during the shoot, says he felt like "a chicken with its head cut off. Most of the time you have no idea what's going on. You feel like the world is going to end. You shoot for 12 hours, you come home and feel like you failed. The next day you feel like you want to redeem yourself. I think that's what makes a good movie—the struggle. If everything went your way it might feel kind of washy. I never had that experience, so I don't know."
The biggest adjustment for Caunter was learning to adapt to each actor's approach. "Frank is quite easygoing," he says. "Armand is the polar opposite. Armand would scream obscenities at the top of his lungs before the take. That alone would scare half the set, and then we'd roll the camera."
"They turned me loose," says Goldring. "That can be a dangerous thing for any actor, but they also had the good sense to rein me in. I'm a passion merchant. Doing Chicago Overcoat allowed me to let my passions out. The [character] is . . . ornery. He likes to tip back a few. Even though I don't do that anymore, I can play one on TV."
Accusations of ethnic stereotyping have dogged many of Vincent's projects. Last spring, MillerCoors pulled a series of ads featuring Vincent and Starr as mobsters after complaints from the Order Sons of Italy in America. Chicago Overcoat is no exception. After principal photography wrapped in November 2007, Bosher got an e-mail from Bill Dal Cerro of the advocacy group Italic Institute of America. Dal Cerro wrote, "It saddens—and yes, sickens me—that you are reverting to the oldest game in the book in your quest for Hollywood fame: namely, stoking prejudice against Americans of Italian descent by producing yet another pointless Italian 'mob' movie."
It's going to be tough to recover the $2 million budget in today's independent film market, which is arguably in a deeper slump than the rest of the economy. Todd Slater of LA-based Huntsman Entertainment is shopping the film to distributors. "We've had a lot of offers from smaller companies," Charles says. "We've been waiting patiently for the right buyer. We want an offer we can't refuse
Courtesy of Chicago Reader.com
0
Guilty Plea to Tax Evasion by Reputed Mobster, Rudy Fratto --Next time it will be jay walking lol .. Another bullshit case!!!!
Reputed suburban Chicago mobster Rudy Fratto pleaded guilty Tuesday to evading thousands of dollars in federal income taxes.
Fratto, 65, of suburban Darien, pleaded guilty to a single charge of evading $30,052 in taxes on income of $199,595 for 2005. But he admitted in a signed plea agreement that he actually evaded $141,192 in taxes on $835,641 in income over seven years starting in 2001.
The maximum sentence on the charge is five years in prison and a $250,000 fine. The plea agreement, however, said the sentence could be more like 12 to 18 months under federal sentencing guidelines.
Fratto remained free on $4,500 bond pending sentencing, which U.S. District Judge Matthew F. Kennelly set for Jan. 12.
Fratto admitted in his plea agreement that he had arranged to have income funneled into the bank account of a defunct company in an effort to evade the scrutiny of the Internal Revenue Service. He received income in 2005 from jobs ranging from handyman to pasta salesman, according to the document.
Fratto's name has come up at least twice in connection with organized crime in recent federal cases.
Prosecutors introduced evidence that he was an associate of the Chicago police department's former chief of detectives, William Hanhardt, who is now serving a federal prison sentence as the leader of a mob-related jewel theft ring.
Fratto's name also came up in connection with the landmark 2007 Operation Family Secrets case -- the biggest Chicago mob trial in decades. He was listed on papers prepared by the FBI as a serious threat to the safety of the government's star witness in the case, admitted mobster and hit man Nicholas Calabrese.
Fratto's name also appears on a chart published by the Chicago Crime Commission in 1997, showing the structure of the so-called Chicago Outfit.
Guilty Plea to Tax Evasion by Reputed Mobster
Reputed suburban Chicago mobster Rudy Fratto pleaded guilty Tuesday to evading thousands of dollars in federal income taxes.
Fratto, 65, of suburban Darien, pleaded guilty to a single charge of evading $30,052 in taxes on income of $199,595 for 2005. But he admitted in a signed plea agreement that he actually evaded $141,192 in taxes on $835,641 in income over seven years starting in 2001.
The maximum sentence on the charge is five years in prison and a $250,000 fine. The plea agreement, however, said the sentence could be more like 12 to 18 months under federal sentencing guidelines.
Fratto remained free on $4,500 bond pending sentencing, which U.S. District Judge Matthew F. Kennelly set for Jan. 12.
Fratto admitted in his plea agreement that he had arranged to have income funneled into the bank account of a defunct company in an effort to evade the scrutiny of the Internal Revenue Service. He received income in 2005 from jobs ranging from handyman to pasta salesman, according to the document.
Fratto's name has come up at least twice in connection with organized crime in recent federal cases.
Prosecutors introduced evidence that he was an associate of the Chicago police department's former chief of detectives, William Hanhardt, who is now serving a federal prison sentence as the leader of a mob-related jewel theft ring.
Fratto's name also came up in connection with the landmark 2007 Operation Family Secrets case -- the biggest Chicago mob trial in decades. He was listed on papers prepared by the FBI as a serious threat to the safety of the government's star witness in the case, admitted mobster and hit man Nicholas Calabrese.
Fratto's name also appears on a chart published by the Chicago Crime Commission in 1997, showing the structure of the so-called Chicago Outfit.
0
They Forgot About The Code!!....Need to be Reminded ???
Despite the stereotype that mob family members never talk out of turn, Victoria Gotti is speaking up about growing up in one of America's most infamous crime families. Not only that, she says that her late father "The Dapper Don" was fine with her writing about their family secrets.
Gotti's new book, "This Family of Mine: What It Was Like Growing Up Gotti," chronicles her life as a Mafia princess, and she's talking to CBS's "48 Hours" on Saturday about her family.
She describes growing up in a life of luxury, though she had mixed feelings about the source of that luxury. She admits that she had a pretty good idea of what her dad -- late Gambino crime family boss John Gotti -- did for a living, including ordering the deaths of rivals.
Like Father, Like Son
The family is back in the news because Victoria's brother, John Gotti Jr., is on trial for the fourth time for crimes associated with his role as head of the Gambino family between 1993 and 2008. Gotti Jr. insists that he retired in 1999, and that the statute of limitations on his crimes has run out. Seven jurors on the case are said to have asked to be dismissed from the trial this past week, possibly out of fear of retribution.
Victoria, who's had some money trouble, will reportedly discuss her heartbreak over the crime legacy on "48 Hours." "My brother is not in that courtroom," she told CBS's Troy Roberts. "It is my father, always, all over again, day in, day out. It's not about what John [Jr.] did, is doing or will do. It's about John Gotti." She and two siblings talked to "48 Hours" in the hopes of helping clear their brother's name by showing the world they grew up in.
Victoria says the trial is part of what inspired her to finally write her life story, and that her father gave her his blessing to do so before his death in 2002.
A Brother Lost
One of the more notable revelations in the book is Victoria's discussion of the disappearance of Gotti neighbor John Favara, who was involved in a car accident that killed Victoria's 12-year-old brother Frank in 1980. Four months after the incident, Favara was abducted in a van and never seen again.
Victoria admits that she initially demanded that her father seek vengeance, but that he insisted she accept that it was an accident. She vehemently denies that her father was involved in Favara's death, though she admits it's likely that someone in the Gambino crime family was responsible.
Scandal Overload?!
While we appreciate the candor, we've got to ask: How is any of this shocking, exactly? That John Gotti ran afoul of the law is not exactly news. (Back in the day, he was also known as the "Teflon Don" because it took four trials to convict him, despite mountains of evidence.) Any remaining doubts about his non-involvement were more or less put to bed when he was convicted on 13 counts including murder, loansharking, racketeering and tax evasion in 1992.
This Would Not Happen in Chicago !!!
Despite the stereotype that mob family members never talk out of turn, Victoria Gotti is speaking up about growing up in one of America's most infamous crime families. Not only that, she says that her late father "The Dapper Don" was fine with her writing about their family secrets.
Gotti's new book, "This Family of Mine: What It Was Like Growing Up Gotti," chronicles her life as a Mafia princess, and she's talking to CBS's "48 Hours" on Saturday about her family.
She describes growing up in a life of luxury, though she had mixed feelings about the source of that luxury. She admits that she had a pretty good idea of what her dad -- late Gambino crime family boss John Gotti -- did for a living, including ordering the deaths of rivals.
Like Father, Like Son
The family is back in the news because Victoria's brother, John Gotti Jr., is on trial for the fourth time for crimes associated with his role as head of the Gambino family between 1993 and 2008. Gotti Jr. insists that he retired in 1999, and that the statute of limitations on his crimes has run out. Seven jurors on the case are said to have asked to be dismissed from the trial this past week, possibly out of fear of retribution.
Victoria, who's had some money trouble, will reportedly discuss her heartbreak over the crime legacy on "48 Hours." "My brother is not in that courtroom," she told CBS's Troy Roberts. "It is my father, always, all over again, day in, day out. It's not about what John [Jr.] did, is doing or will do. It's about John Gotti." She and two siblings talked to "48 Hours" in the hopes of helping clear their brother's name by showing the world they grew up in.
Victoria says the trial is part of what inspired her to finally write her life story, and that her father gave her his blessing to do so before his death in 2002.
A Brother Lost
One of the more notable revelations in the book is Victoria's discussion of the disappearance of Gotti neighbor John Favara, who was involved in a car accident that killed Victoria's 12-year-old brother Frank in 1980. Four months after the incident, Favara was abducted in a van and never seen again.
Victoria admits that she initially demanded that her father seek vengeance, but that he insisted she accept that it was an accident. She vehemently denies that her father was involved in Favara's death, though she admits it's likely that someone in the Gambino crime family was responsible.
Scandal Overload?!
While we appreciate the candor, we've got to ask: How is any of this shocking, exactly? That John Gotti ran afoul of the law is not exactly news. (Back in the day, he was also known as the "Teflon Don" because it took four trials to convict him, despite mountains of evidence.) Any remaining doubts about his non-involvement were more or less put to bed when he was convicted on 13 counts including murder, loansharking, racketeering and tax evasion in 1992.
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The Book chronicles the lives of working Chicago Italians for 80 years through photography and text
For more than a century, Italian immigrants and their descendants contributed their labor and talent to building the city. Chicago Italians at Work focuses on a period from 1890 to 1970 when industry was king in this midwestern metropolis. Generations of Italians found work in companies such as U.S. Steel, Western Electric, Pullman, Crane, McCormick/Harvester, Hart Schaffner and Marx, and other large industrial corporations. Other Italians were self-employed as barbers, shoe workers, tailors, musicians, construction workers, and more. In many of these trades, Italians were predominant. A complex network of family enterprises also operated in the Chicago Italian community. Small shopkeepers generated work in food services and retail employment; some of these ma-and-pa operations grew into large, prosperous enterprises that survive today. Finally, Italians helped develop trade unions, which created long-term economic gains for all ethnic groups in Chicago. This book chronicles the labor and contributions of an urban ethnic community through historic photographs and text.
Author Peter Nicholas Pero is a teacher and writer. He has taught courses in labor studies for Roosevelt University and Prairie State College. Pero has published articles on workplace economics through travel in China, Japan, Costa Rica, and Brazil. He lives in Chicago's Little Italy and is a member of the city's Italian-American Labor Council.
To buy the book, visit www.arcadiapublishing.com
Chicago Italians at Work ...... Great Book!!!!
The Book chronicles the lives of working Chicago Italians for 80 years through photography and text
For more than a century, Italian immigrants and their descendants contributed their labor and talent to building the city. Chicago Italians at Work focuses on a period from 1890 to 1970 when industry was king in this midwestern metropolis. Generations of Italians found work in companies such as U.S. Steel, Western Electric, Pullman, Crane, McCormick/Harvester, Hart Schaffner and Marx, and other large industrial corporations. Other Italians were self-employed as barbers, shoe workers, tailors, musicians, construction workers, and more. In many of these trades, Italians were predominant. A complex network of family enterprises also operated in the Chicago Italian community. Small shopkeepers generated work in food services and retail employment; some of these ma-and-pa operations grew into large, prosperous enterprises that survive today. Finally, Italians helped develop trade unions, which created long-term economic gains for all ethnic groups in Chicago. This book chronicles the labor and contributions of an urban ethnic community through historic photographs and text.
Author Peter Nicholas Pero is a teacher and writer. He has taught courses in labor studies for Roosevelt University and Prairie State College. Pero has published articles on workplace economics through travel in China, Japan, Costa Rica, and Brazil. He lives in Chicago's Little Italy and is a member of the city's Italian-American Labor Council.
To buy the book, visit www.arcadiapublishing.com
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IF BOTH of your parents are/were ITALIAN this is a nice reflection back to the way things used to be...
Per tutta la Mia famiglia e gli amici it amo oggi, domani e sempre
To all my family and friends I love you today, tomorrow and always
42 Things In The Life Of An Italian American Child
01. You have at least one relative who wore a black dress every day for an entire year after a funeral.
02. You spent your entire childhood thinking what you ate for lunch was pronounced 'sangwich.'
03. Your family dog understood Italian.
04. Every Sunday afternoon of your childhood was spent visiting your grandparents and extended family.
05. You've experienced the phenomena of 150 people fitting into 50 square feet of yard during a family cookout
06. You were surprised to discover the FDA recommends you eat three meals a day, not seven.
07. You thought killing the pig each year and having salami, capacollo, pancetta and prosciutto hanging out to dry from your shed ceiling was absolutely normal. (Wow, that's really Italian!)
08. You ate pasta for dinner at least three times a week, and every Sunday, and laughed at the commercial for Wednesday is Prince Spaghetti day.
09. You grew up thinking no fruit or vegetable had a fixed price and that the price of everything was negotiable through haggling.
10. You were as tall as your grandmother by the age of seven.
11. You thought everyone's last name ended in a vowel.
12. You thought nylons were supposed to be worn rolled to the ankles.
13. Your mom's main hobby is cleaning.
14. You were surprised to find out that wine was actually sold in stores.
15. You thought that everyone made their own tomato sauce.
16. You never ate meat on Christmas Eve or any Friday for that matter.
17. You ate your salad after the main course.
18. You thought Catholic was the only religion in the world.
19. You were beaten at least once with a wooden spoon or broom.
20. You thought every meal had to be eaten with a hunk of bread in your hand
21. You can understand Italian but you can't speak it.
22. You have at least one relative who came over on the boat.
23. All of your uncles fought in a World War.
24. You have at least six male relatives named
Tony, Frank, Joe or Louie.
25. You have relatives who aren't really your relatives.
26. You have relatives you don't speak to. Haaaaaaaaaaaaaaaaaa!!
27. You drank wine before you were a teenager.
28. You relate on some level, admit it, to the Godfather and the Sopranos. I maka a meata ball you can't refuse!.
Forrgetttabbboutit! Badda bing!
29. You grew up in a house with a yard that didn't have one patch of dirt that didn't have a flower or a vegetable growing out of it.
30. Your grandparent's furniture was as comfortable as sitting on plastic. Wait!!!! You were sitting on plastic.
31. You thought that talking loud was normal.
32. You thought sugared almonds and the Tarantella were common at all weddings.
33. You thought everyone got pinched on the cheeks and money stuffed in their pockets by their relatives.
34. Your mother is overly protective of the males in the family no matter what their age.
35. There was a crucifix in every room of the house.
36. Wakes would be held in someone's living room.
37. You couldn't date a boy without getting approval from your father. (Oh, and he had to be Italian)
38. You called pasta 'macaroni'.
39. You dreaded taking out your lunch at school
40. Going out for a cup of coffee usually meant going out for a cup of coffee over Zia's house.
41 Every condition, ailment, misfortune, memory loss and accident was attributed to the fact that you didn't eat something.
Real Italians Know This Humor......
IF BOTH of your parents are/were ITALIAN this is a nice reflection back to the way things used to be...
Per tutta la Mia famiglia e gli amici it amo oggi, domani e sempre
To all my family and friends I love you today, tomorrow and always
42 Things In The Life Of An Italian American Child
01. You have at least one relative who wore a black dress every day for an entire year after a funeral.
02. You spent your entire childhood thinking what you ate for lunch was pronounced 'sangwich.'
03. Your family dog understood Italian.
04. Every Sunday afternoon of your childhood was spent visiting your grandparents and extended family.
05. You've experienced the phenomena of 150 people fitting into 50 square feet of yard during a family cookout
06. You were surprised to discover the FDA recommends you eat three meals a day, not seven.
07. You thought killing the pig each year and having salami, capacollo, pancetta and prosciutto hanging out to dry from your shed ceiling was absolutely normal. (Wow, that's really Italian!)
08. You ate pasta for dinner at least three times a week, and every Sunday, and laughed at the commercial for Wednesday is Prince Spaghetti day.
09. You grew up thinking no fruit or vegetable had a fixed price and that the price of everything was negotiable through haggling.
10. You were as tall as your grandmother by the age of seven.
11. You thought everyone's last name ended in a vowel.
12. You thought nylons were supposed to be worn rolled to the ankles.
13. Your mom's main hobby is cleaning.
14. You were surprised to find out that wine was actually sold in stores.
15. You thought that everyone made their own tomato sauce.
16. You never ate meat on Christmas Eve or any Friday for that matter.
17. You ate your salad after the main course.
18. You thought Catholic was the only religion in the world.
19. You were beaten at least once with a wooden spoon or broom.
20. You thought every meal had to be eaten with a hunk of bread in your hand
21. You can understand Italian but you can't speak it.
22. You have at least one relative who came over on the boat.
23. All of your uncles fought in a World War.
24. You have at least six male relatives named
Tony, Frank, Joe or Louie.
25. You have relatives who aren't really your relatives.
26. You have relatives you don't speak to. Haaaaaaaaaaaaaaaaaa!!
27. You drank wine before you were a teenager.
28. You relate on some level, admit it, to the Godfather and the Sopranos. I maka a meata ball you can't refuse!.
Forrgetttabbboutit! Badda bing!
29. You grew up in a house with a yard that didn't have one patch of dirt that didn't have a flower or a vegetable growing out of it.
30. Your grandparent's furniture was as comfortable as sitting on plastic. Wait!!!! You were sitting on plastic.
31. You thought that talking loud was normal.
32. You thought sugared almonds and the Tarantella were common at all weddings.
33. You thought everyone got pinched on the cheeks and money stuffed in their pockets by their relatives.
34. Your mother is overly protective of the males in the family no matter what their age.
35. There was a crucifix in every room of the house.
36. Wakes would be held in someone's living room.
37. You couldn't date a boy without getting approval from your father. (Oh, and he had to be Italian)
38. You called pasta 'macaroni'.
39. You dreaded taking out your lunch at school
40. Going out for a cup of coffee usually meant going out for a cup of coffee over Zia's house.
41 Every condition, ailment, misfortune, memory loss and accident was attributed to the fact that you didn't eat something.
0
The Ultimate Beef !!........
Johnnie's Beef
7500 W. North Ave., Elmwood Park
Hours: Mon-Sat 11am-12am, Sun 12pm-12am
Tel: (708) 452-6000
Chicago is one of the few cities in the country where there are many places to eat great Italian beef and Johnnie's Beef ranks among the best of them. The small beef stand is a perfectly preserved piece of the traditionally Italian neighborhood that surrounds it.
The structure itself resembles an old drive-in eatery, with baby blue walls and yellow neon signs. It is only big enough to hold about ten standing customers at its bar, and seems to have a line that stretches down the block at any time of day. The employees work together as a well oiled machine, though, which minimizes the wait. One worker assembles hot dogs, one spears sausages from the grill, one slaps together the beefs and yet another fills cups with Italian ices (make sure you say you don't want a lid on your ice...that way you get a nice heaping cup of it). Be sure to have your order straight by the time you get to the head of the line; the man who rings you up gets quite upset at indecision or stuttering.
The menu is small, but everything is exceptional. The Italian beef and sausage sandwiches are notably famous, as well as the Italian ices and hot dogs. Every Friday Johnnie's serves up amazing fried egg sandwiches.
Many Chicagoans consider Johnnie's to be the best Italian Beef joint in the world, which accounts for the long line you will usually encounter on your visit. And I will be their this weekend to enjoy one on my visit to Chicago, My home town !!!
Many a Mobster Has Eaten Here ??
The Ultimate Beef !!........
Johnnie's Beef
7500 W. North Ave., Elmwood Park
Hours: Mon-Sat 11am-12am, Sun 12pm-12am
Tel: (708) 452-6000
Chicago is one of the few cities in the country where there are many places to eat great Italian beef and Johnnie's Beef ranks among the best of them. The small beef stand is a perfectly preserved piece of the traditionally Italian neighborhood that surrounds it.
The structure itself resembles an old drive-in eatery, with baby blue walls and yellow neon signs. It is only big enough to hold about ten standing customers at its bar, and seems to have a line that stretches down the block at any time of day. The employees work together as a well oiled machine, though, which minimizes the wait. One worker assembles hot dogs, one spears sausages from the grill, one slaps together the beefs and yet another fills cups with Italian ices (make sure you say you don't want a lid on your ice...that way you get a nice heaping cup of it). Be sure to have your order straight by the time you get to the head of the line; the man who rings you up gets quite upset at indecision or stuttering.
The menu is small, but everything is exceptional. The Italian beef and sausage sandwiches are notably famous, as well as the Italian ices and hot dogs. Every Friday Johnnie's serves up amazing fried egg sandwiches.
Many Chicagoans consider Johnnie's to be the best Italian Beef joint in the world, which accounts for the long line you will usually encounter on your visit. And I will be their this weekend to enjoy one on my visit to Chicago, My home town !!!
0
From family members, childhood friends, business associates, newspaper reporters, or the police. Not every mobster has a nickname, and some have more than one. Chicago boss Anthony Accardo, for example, was known to his colleagues as "Joe Batters." He got the name from Al Capone after he dealt out a pair of savage beatings with a baseball bat: "This kid is a real joe batters," Scarface said. But the press called Accardo "Big Tuna," after seeing a photograph of him on a sport-fishing expedition.
"Joey the Clown" Lombardo earned his nickname from the press, thanks to his fondness for zany public behavior and cheesy jokes. At the conclusion of one of his trials, Lombardo attempted to elude newspaper photographers by converting a newspaper into a makeshift mask with eye-holes and racing out of the courtroom. At a subsequent trial, Lombardo explained to reporters that a piece of his jewelry was made from "canarly stone": "You 'canarly' see it," he said.
Mobsters may not like the nicknames they get from reporters and cops. Tony "The Ant" Spilotro (whose murder almost 20 years ago plays a major role in the recent indictments in Chicago) got his from FBI agent Bill Roemer, who had tried to spread the longer and less polite nickname "Pissant" to his buddies in the press. New Yorker Carmine "Junior" Persico was given the unflattering name "The Snake" by a police officer. Persico hated it, especially after "The Snake" caught on among some fellow criminals.and Chicago Mike received his in a Az jail
Mobsters sometimes use nicknames with each other to avoid easy identification by the feds. The mob boss Vincent "Chin" Gigante (whose nickname was short for "Vincenzo") insisted that his name never be spoken aloud. His wiseguys were told instead to rub their fingers across their chin or, at one point, to refer to him as their "Aunt Julia." Meanwhile, the press dubbed Gigante "The Oddfather" after he began posing as a schizophrenic in the late 1960s.
Former head of the Gambino crime family John Gotti took pride in the fact that he had no nickname among his peers—everyone knew who you meant if you said "John." Members of the press called him the "Dapper Don," the "Teflon Don," and, following his conviction in 1992, the "Velcro Don."
Mob Nick Names
From family members, childhood friends, business associates, newspaper reporters, or the police. Not every mobster has a nickname, and some have more than one. Chicago boss Anthony Accardo, for example, was known to his colleagues as "Joe Batters." He got the name from Al Capone after he dealt out a pair of savage beatings with a baseball bat: "This kid is a real joe batters," Scarface said. But the press called Accardo "Big Tuna," after seeing a photograph of him on a sport-fishing expedition.
"Joey the Clown" Lombardo earned his nickname from the press, thanks to his fondness for zany public behavior and cheesy jokes. At the conclusion of one of his trials, Lombardo attempted to elude newspaper photographers by converting a newspaper into a makeshift mask with eye-holes and racing out of the courtroom. At a subsequent trial, Lombardo explained to reporters that a piece of his jewelry was made from "canarly stone": "You 'canarly' see it," he said.
Mobsters may not like the nicknames they get from reporters and cops. Tony "The Ant" Spilotro (whose murder almost 20 years ago plays a major role in the recent indictments in Chicago) got his from FBI agent Bill Roemer, who had tried to spread the longer and less polite nickname "Pissant" to his buddies in the press. New Yorker Carmine "Junior" Persico was given the unflattering name "The Snake" by a police officer. Persico hated it, especially after "The Snake" caught on among some fellow criminals.and Chicago Mike received his in a Az jail
Mobsters sometimes use nicknames with each other to avoid easy identification by the feds. The mob boss Vincent "Chin" Gigante (whose nickname was short for "Vincenzo") insisted that his name never be spoken aloud. His wiseguys were told instead to rub their fingers across their chin or, at one point, to refer to him as their "Aunt Julia." Meanwhile, the press dubbed Gigante "The Oddfather" after he began posing as a schizophrenic in the late 1960s.
Former head of the Gambino crime family John Gotti took pride in the fact that he had no nickname among his peers—everyone knew who you meant if you said "John." Members of the press called him the "Dapper Don," the "Teflon Don," and, following his conviction in 1992, the "Velcro Don."
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The Ultimate Beef !!........
Johnnie's Beef
7500 W. North Ave., Elmwood Park
Hours: Mon-Sat 11am-12am, Sun 12pm-12am
Tel: (708) 452-6000
Chicago is one of the few cities in the country where there are many places to eat great Italian beef and Johnnie's Beef ranks among the best of them. The small beef stand is a perfectly preserved piece of the traditionally Italian neighborhood that surrounds it.
The structure itself resembles an old drive-in eatery, with baby blue walls and yellow neon signs. It is only big enough to hold about ten standing customers at its bar, and seems to have a line that stretches down the block at any time of day. The employees work together as a well oiled machine, though, which minimizes the wait. One worker assembles hot dogs, one spears sausages from the grill, one slaps together the beefs and yet another fills cups with Italian ices (make sure you say you don't want a lid on your ice...that way you get a nice heaping cup of it). Be sure to have your order straight by the time you get to the head of the line; the man who rings you up gets quite upset at indecision or stuttering.
The menu is small, but everything is exceptional. The Italian beef and sausage sandwiches are notably famous, as well as the Italian ices and hot dogs. Every Friday Johnnie's serves up amazing fried egg sandwiches.
Many Chicagoans consider Johnnie's to be the best Italian Beef joint in the world, which accounts for the long line you will usually encounter on your visit. And I will be their this weekend to enjoy one on my visit to Chicago, My home town !!!
What Mobster Hasn't Eaten Here ?/
The Ultimate Beef !!........
Johnnie's Beef
7500 W. North Ave., Elmwood Park
Hours: Mon-Sat 11am-12am, Sun 12pm-12am
Tel: (708) 452-6000
Chicago is one of the few cities in the country where there are many places to eat great Italian beef and Johnnie's Beef ranks among the best of them. The small beef stand is a perfectly preserved piece of the traditionally Italian neighborhood that surrounds it.
The structure itself resembles an old drive-in eatery, with baby blue walls and yellow neon signs. It is only big enough to hold about ten standing customers at its bar, and seems to have a line that stretches down the block at any time of day. The employees work together as a well oiled machine, though, which minimizes the wait. One worker assembles hot dogs, one spears sausages from the grill, one slaps together the beefs and yet another fills cups with Italian ices (make sure you say you don't want a lid on your ice...that way you get a nice heaping cup of it). Be sure to have your order straight by the time you get to the head of the line; the man who rings you up gets quite upset at indecision or stuttering.
The menu is small, but everything is exceptional. The Italian beef and sausage sandwiches are notably famous, as well as the Italian ices and hot dogs. Every Friday Johnnie's serves up amazing fried egg sandwiches.
Many Chicagoans consider Johnnie's to be the best Italian Beef joint in the world, which accounts for the long line you will usually encounter on your visit. And I will be their this weekend to enjoy one on my visit to Chicago, My home town !!!
0
Name : Dennis Farina
Date of birth : 29 February 1944
Birthplace : Chicago, Illinois, USA
Height : 6' 1½
Profession : Actor
Dennis Farina Detailed Biography
Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.
Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though Dennis Farina never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987).
Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). Dennis Farina's versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994).
Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season.
Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.
Dennis Farina...Chicago's Mob Movie Man
Name : Dennis Farina
Date of birth : 29 February 1944
Birthplace : Chicago, Illinois, USA
Height : 6' 1½
Profession : Actor
Dennis Farina Detailed Biography
Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.
Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though Dennis Farina never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987).
Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). Dennis Farina's versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994).
Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season.
Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.
0
The Godfather (1972) - Not only is it the best Mob movie of all time, it's one of the best movies period.
Goodfellas (1990) - Martin Scorcese at his best. Lost the Best Picture Oscar to Dances With Wolves. A winner in any other year.
The Godfather Part II (1974) - The only sequel to win a best picture Oscar. Yes, it's that good.
Donnie Brasco (1997) - Stars Al Pacino and Johnny Depp. Enough said!
Scarface (1983) - Brian DePalma's best film. By the way, Al Pacino would like you to meet his friend.
A History of Violence (2005) - A graphic illustration of what might have happened had Charles Manson visited Mayberry- only darker! William Hurt is phenomenal here.
The Departed (2006) - The question of whether a definitive list of Scorsese pictures will include The Departed has been answered. It's brilliant!
On the Waterfront (1954) - One of the best films of all time. Brando displays one of the best acting performances ever to be captured on film.
Reservoir Dogs (1992) - Quentin Tarantino's best film? Mr. Pink thinks so.
Casino (1995) - Another Scorcese Mob film. Not as good as Goodfellas, but still pretty damn good!
A Bronx Tale (1993) - DeNiro's directorial debut. And a fine debut it is. And he stars in the film too.
The Untouchables (1987) - Elliot Ness cleans up the Chicago underworld. Directed by Brian de Palma, written by David Mamet, starring Kevin Costner. How's that for firepower?
The Dark Knight (2008) - Heath Ledger's performance aside, it's just a great movie. Not really as much a superhero tale as it is a brilliant crime drama that happens to feature a superhero.
Carlito's Way (1993) - De Palma and Pacino sure know their way around a gangster flick!
Pulp Fiction (1994) - Tarantino's sophomore effort. No sophomore slump here! Style and verve that have been copied ever since.
Heat (1995) - The first time De Niro and Pacino acted together. Chemistry, chemistry, chemistry.
Jackie Brown (1997) - Another Tarantino classic. Hip, stylish and pure Tarantino!
Boondock Saints (1999) - Little known, but a huge cult classic.
Bonnie and Clyde (1967) - Not a Mafia movie, but a gangster flick nonetheless. One of the most controversial films of the 1960s. And there was a lot of controversy in the 60s! Towards the top of many "best films of all times" lists.
Miller's Crossing (1990) - Lust, vengeance, and Ireland! All the things that make a good Mob movie!
Analyze This (1998) - A change of pace for a gangster pic, but worth the look anyway. Good to see De Niro do levity.
The Sopranos (2000- 2007) - Sure, it's not a movie, but it's the best show on TV, so it deserves a mention here. Will unfortunately typecast Gandolfini to the point of unrecoverability.
Road to Perdition (2002) - A Sam Mendes masterpiece. It's a cold, brooding noir piece with violence, intrigue, style and of course the father son dynamic.
Best Mob Movie List
The Godfather (1972) - Not only is it the best Mob movie of all time, it's one of the best movies period.
Goodfellas (1990) - Martin Scorcese at his best. Lost the Best Picture Oscar to Dances With Wolves. A winner in any other year.
The Godfather Part II (1974) - The only sequel to win a best picture Oscar. Yes, it's that good.
Donnie Brasco (1997) - Stars Al Pacino and Johnny Depp. Enough said!
Scarface (1983) - Brian DePalma's best film. By the way, Al Pacino would like you to meet his friend.
A History of Violence (2005) - A graphic illustration of what might have happened had Charles Manson visited Mayberry- only darker! William Hurt is phenomenal here.
The Departed (2006) - The question of whether a definitive list of Scorsese pictures will include The Departed has been answered. It's brilliant!
On the Waterfront (1954) - One of the best films of all time. Brando displays one of the best acting performances ever to be captured on film.
Reservoir Dogs (1992) - Quentin Tarantino's best film? Mr. Pink thinks so.
Casino (1995) - Another Scorcese Mob film. Not as good as Goodfellas, but still pretty damn good!
A Bronx Tale (1993) - DeNiro's directorial debut. And a fine debut it is. And he stars in the film too.
The Untouchables (1987) - Elliot Ness cleans up the Chicago underworld. Directed by Brian de Palma, written by David Mamet, starring Kevin Costner. How's that for firepower?
The Dark Knight (2008) - Heath Ledger's performance aside, it's just a great movie. Not really as much a superhero tale as it is a brilliant crime drama that happens to feature a superhero.
Carlito's Way (1993) - De Palma and Pacino sure know their way around a gangster flick!
Pulp Fiction (1994) - Tarantino's sophomore effort. No sophomore slump here! Style and verve that have been copied ever since.
Heat (1995) - The first time De Niro and Pacino acted together. Chemistry, chemistry, chemistry.
Jackie Brown (1997) - Another Tarantino classic. Hip, stylish and pure Tarantino!
Boondock Saints (1999) - Little known, but a huge cult classic.
Bonnie and Clyde (1967) - Not a Mafia movie, but a gangster flick nonetheless. One of the most controversial films of the 1960s. And there was a lot of controversy in the 60s! Towards the top of many "best films of all times" lists.
Miller's Crossing (1990) - Lust, vengeance, and Ireland! All the things that make a good Mob movie!
Analyze This (1998) - A change of pace for a gangster pic, but worth the look anyway. Good to see De Niro do levity.
The Sopranos (2000- 2007) - Sure, it's not a movie, but it's the best show on TV, so it deserves a mention here. Will unfortunately typecast Gandolfini to the point of unrecoverability.
Road to Perdition (2002) - A Sam Mendes masterpiece. It's a cold, brooding noir piece with violence, intrigue, style and of course the father son dynamic.
0
Massacres, trap doors and Chicago jazz. It’s the way Al Capone and his Chicago Outfit experienced Chicago in the 1920s. The rich, bloody mark that Chicago’s mob bosses left on the streets is still — sometimes begrudgingly — remembered by many. Recently, we took a trip to Chicago to discover where the old speakeasies used to be and where the St. Valentines Day Massacre occurred, grabbing a pizza along the way.
Room 21
Don’t be fooled by the ornate designs, this restaurant has a dirty history. At the peak of Capone’s business, this was his largest speakeasy and brewery in all of Chicago.
At first glance, Room 21 is simply an upscale American restaurant with a large bar and a wide-open patio. In one corner, however, lies one of Capone’s best-kept secrets. “There was the original foundation here,” Manager John Nowowiejski said, motioning to the corner at the end of the bar. “But when we were doing some work putting the plumbing in for the cappuccino maker, we found something. So Jerry Kleiner, the owner said ‘tear it all down’ and we found this passageway.”
The passageway, now lit with an incandescent red glow, narrowly follows the edge of the building. You can see the original brick on either side, claustrophobically coercing you up the stairs. And under the newly added stairs, the top corner of a door peeks out. Leading to the street, the door was probably one of Capone’s exits.
Another door existed at the top of the stairs. “At the end of the passageway, we found a door with the number 21 hanging on it,” Nowowiejski said. “And that’s how we got the name of the restaurant.”
“We actually don’t know much of what happened here,” Nowowiejski said, opening the door at the end of the hall. The inside has been radically changed to a room with classical artwork and a table overlooking the kitchen. “The unknown about it adds to the mystique.”
Not only did Room 21 house Capone’s largest brewery, it was one of his largest busts. Eliot Ness of the Untouchables, the Chicago police group designed to deal with the mafia, led his team into the speakeasy with a 10-ton truck and seized two hundred thousand gallons of alcohol.
Getting there: Take the red line to Cermak/Chinatown and turn left until you get to South Wabash. 2110 S. Wabash St.
Green Mill Cocktail Lounge
To see one of Al Capone’s favorite clubs, head over to the Green Mill Cocktail Lounge. His booth is the first one you see walking past the old jazz posters and decorative walls. And don’t expect a menu; everything served here comes in a glass, not on a plate.
“Al Capone was also a regular here,” owner Dave Jemilo said. “He would sit in a booth by the wall so he could see both doors. That’s what you do. There was a way people could come from behind and get him, but he had guards to check his back.”
And if Capone ever needed a quick escape route, he had his own way out. “There was a trap door for him behind the bar where he could escape if need be,” Jemilo said. “There was a series of tunnels and passageways that would lead outside. I’m the only one with the key, and I wouldn’t let you down there anyway.”
Jack “Machine Gun” McGurn, one of the men responsible for the St. Valentine’s Day Massacre, was a part owner of the club at one point. And when the headlining singer left for a rival club, McGurn took action himself.
“His favorite singer at the club was Joe E. Lewis, but Lewis was offered a better deal at Rendezvous Club,” Jemilo said. “McGurn told Lewis that he signed a deal for life at Green Mill, but Lewis quit anyways. So a week later, McGurn went to Lewis’s hotel and cut off his tongue and slit his vocal cords so he could never sing again. He almost died, but he eventually came back as a comedian and became a famous comic.”
Frank Sinatra later immortalized Joe E. Lewis in The Joker Is Wild, a movie detailing the whole fiasco.
Getting there: Located off the Lawrence stop on the Red Line in Uptown, the Green Mill Cocktail Lounge is the perfect place for a drink before or after a show at the Aragon. 4802 N. Broadway Ave.
Chicago Pizza and Oven Grinder Co.
The St. Valentine’s Day Massacre of 1929 was the turning point for the infamous Chicago Outfit. While Capone was enjoying a vacation in Florida, part of his south-side gang, two dressed up as police officers, allegedly lined up four of Bugs Moran’s north-side gang inside a garage. With Moran’s gang against the wall, Capone’s henchmen opened fire. Jack “Machine Gun” McGurn, part owner of the Green Mill Cocktail Lounge, was the purported leader of the shooting.
Across the street on the second floor of what was a boarding house, two other members of Capone’s gang kept watch. And today, on the first floor, is Chicago Pizza and Oven Grinder Co., a unique and original restaurant located in the middle of Lincoln Park.
You can still see where the massacre took place, but there is no garage left. “Mayor Daley tore down the garage and now it’s an empty lot,” Manager Cathy Gallanis said. “No plaque or anything about it. He didn’t want a reminder of what happened.”
As for the pizza here, it isn’t what you would normally expect, Gallanis said. It’s called pizza pot pie. “We take a ceramic bowl layered with our homemade dough and then add a layer of cheese. Then we ladle in our homemade sauce, with or without sausage, and throw in whole, fresh mushrooms. We put some white or wheat dough on top and cook it. Then at the table, we flip it over and that’s it.”
Recently featured on Rachael Ray, Chicago Pizza and Oven Grinder Co. will continue to serve its unusual cooking. “In a world of franchises, we try to be unique and original,” Gallanis said. “We’ve had the same menu since we opened in 1978.”
Getting there: Get off at the Armitage stop on the brown line and head east on Armitage Street then north on Clark Street to pay homage to one of the most violent events of the 1920s, and one of the most forgotten places too. 2121 N. Clark St.
Tommy Gun’s Garage
To literally relive the Prohibition era (the drinking side of it, not the dry), head south to Tommy Gun’s Garage. Owners Kris Adams and Sandy Mangen emulate the original speakeasies to a tee, not leaving out any details.
“We’re running an illegal speakeasy here,” Adams said. “There are no signs out front, and we have a doorman to check everyone who comes in. He wears gloves so he won’t leave any fingerprints and he will only let you in if you say the password.”
The servers are not just servers, but gangsters with holsters or flappers with dresses. After dinner, the entertainment begins. “The show is basically a musical comedy review, “ Adams said. “We have the sing and dance numbers in the beginning and after that we have vaudeville skits with an Abbott and Costello type act. The show has a lot of audience involvement. At one point, the cops show up and bust everybody there.”
Getting there: Get off the El at Cermak/Chinatown on the Red line and turn left. Reservations are required, so call (312) 225-0273, and don’t forget the password. 2114 S. Wabash Rd.
For its tame Midwestern reputation, Chicago has a rich and violent history riddled with secrets and hidden tunnels. Next time you go downtown, add interest to your usual destinations by making a night of a mafia hangout. Your historical knowledge will impress your friends, your date, or your parents alike — and chilling where Capone chilled? Badass.
Chicago Mob Speakeasies
Massacres, trap doors and Chicago jazz. It’s the way Al Capone and his Chicago Outfit experienced Chicago in the 1920s. The rich, bloody mark that Chicago’s mob bosses left on the streets is still — sometimes begrudgingly — remembered by many. Recently, we took a trip to Chicago to discover where the old speakeasies used to be and where the St. Valentines Day Massacre occurred, grabbing a pizza along the way.
Room 21
Don’t be fooled by the ornate designs, this restaurant has a dirty history. At the peak of Capone’s business, this was his largest speakeasy and brewery in all of Chicago.
At first glance, Room 21 is simply an upscale American restaurant with a large bar and a wide-open patio. In one corner, however, lies one of Capone’s best-kept secrets. “There was the original foundation here,” Manager John Nowowiejski said, motioning to the corner at the end of the bar. “But when we were doing some work putting the plumbing in for the cappuccino maker, we found something. So Jerry Kleiner, the owner said ‘tear it all down’ and we found this passageway.”
The passageway, now lit with an incandescent red glow, narrowly follows the edge of the building. You can see the original brick on either side, claustrophobically coercing you up the stairs. And under the newly added stairs, the top corner of a door peeks out. Leading to the street, the door was probably one of Capone’s exits.
Another door existed at the top of the stairs. “At the end of the passageway, we found a door with the number 21 hanging on it,” Nowowiejski said. “And that’s how we got the name of the restaurant.”
“We actually don’t know much of what happened here,” Nowowiejski said, opening the door at the end of the hall. The inside has been radically changed to a room with classical artwork and a table overlooking the kitchen. “The unknown about it adds to the mystique.”
Not only did Room 21 house Capone’s largest brewery, it was one of his largest busts. Eliot Ness of the Untouchables, the Chicago police group designed to deal with the mafia, led his team into the speakeasy with a 10-ton truck and seized two hundred thousand gallons of alcohol.
Getting there: Take the red line to Cermak/Chinatown and turn left until you get to South Wabash. 2110 S. Wabash St.
Green Mill Cocktail Lounge
To see one of Al Capone’s favorite clubs, head over to the Green Mill Cocktail Lounge. His booth is the first one you see walking past the old jazz posters and decorative walls. And don’t expect a menu; everything served here comes in a glass, not on a plate.
“Al Capone was also a regular here,” owner Dave Jemilo said. “He would sit in a booth by the wall so he could see both doors. That’s what you do. There was a way people could come from behind and get him, but he had guards to check his back.”
And if Capone ever needed a quick escape route, he had his own way out. “There was a trap door for him behind the bar where he could escape if need be,” Jemilo said. “There was a series of tunnels and passageways that would lead outside. I’m the only one with the key, and I wouldn’t let you down there anyway.”
Jack “Machine Gun” McGurn, one of the men responsible for the St. Valentine’s Day Massacre, was a part owner of the club at one point. And when the headlining singer left for a rival club, McGurn took action himself.
“His favorite singer at the club was Joe E. Lewis, but Lewis was offered a better deal at Rendezvous Club,” Jemilo said. “McGurn told Lewis that he signed a deal for life at Green Mill, but Lewis quit anyways. So a week later, McGurn went to Lewis’s hotel and cut off his tongue and slit his vocal cords so he could never sing again. He almost died, but he eventually came back as a comedian and became a famous comic.”
Frank Sinatra later immortalized Joe E. Lewis in The Joker Is Wild, a movie detailing the whole fiasco.
Getting there: Located off the Lawrence stop on the Red Line in Uptown, the Green Mill Cocktail Lounge is the perfect place for a drink before or after a show at the Aragon. 4802 N. Broadway Ave.
Chicago Pizza and Oven Grinder Co.
The St. Valentine’s Day Massacre of 1929 was the turning point for the infamous Chicago Outfit. While Capone was enjoying a vacation in Florida, part of his south-side gang, two dressed up as police officers, allegedly lined up four of Bugs Moran’s north-side gang inside a garage. With Moran’s gang against the wall, Capone’s henchmen opened fire. Jack “Machine Gun” McGurn, part owner of the Green Mill Cocktail Lounge, was the purported leader of the shooting.
Across the street on the second floor of what was a boarding house, two other members of Capone’s gang kept watch. And today, on the first floor, is Chicago Pizza and Oven Grinder Co., a unique and original restaurant located in the middle of Lincoln Park.
You can still see where the massacre took place, but there is no garage left. “Mayor Daley tore down the garage and now it’s an empty lot,” Manager Cathy Gallanis said. “No plaque or anything about it. He didn’t want a reminder of what happened.”
As for the pizza here, it isn’t what you would normally expect, Gallanis said. It’s called pizza pot pie. “We take a ceramic bowl layered with our homemade dough and then add a layer of cheese. Then we ladle in our homemade sauce, with or without sausage, and throw in whole, fresh mushrooms. We put some white or wheat dough on top and cook it. Then at the table, we flip it over and that’s it.”
Recently featured on Rachael Ray, Chicago Pizza and Oven Grinder Co. will continue to serve its unusual cooking. “In a world of franchises, we try to be unique and original,” Gallanis said. “We’ve had the same menu since we opened in 1978.”
Getting there: Get off at the Armitage stop on the brown line and head east on Armitage Street then north on Clark Street to pay homage to one of the most violent events of the 1920s, and one of the most forgotten places too. 2121 N. Clark St.
Tommy Gun’s Garage
To literally relive the Prohibition era (the drinking side of it, not the dry), head south to Tommy Gun’s Garage. Owners Kris Adams and Sandy Mangen emulate the original speakeasies to a tee, not leaving out any details.
“We’re running an illegal speakeasy here,” Adams said. “There are no signs out front, and we have a doorman to check everyone who comes in. He wears gloves so he won’t leave any fingerprints and he will only let you in if you say the password.”
The servers are not just servers, but gangsters with holsters or flappers with dresses. After dinner, the entertainment begins. “The show is basically a musical comedy review, “ Adams said. “We have the sing and dance numbers in the beginning and after that we have vaudeville skits with an Abbott and Costello type act. The show has a lot of audience involvement. At one point, the cops show up and bust everybody there.”
Getting there: Get off the El at Cermak/Chinatown on the Red line and turn left. Reservations are required, so call (312) 225-0273, and don’t forget the password. 2114 S. Wabash Rd.
For its tame Midwestern reputation, Chicago has a rich and violent history riddled with secrets and hidden tunnels. Next time you go downtown, add interest to your usual destinations by making a night of a mafia hangout. Your historical knowledge will impress your friends, your date, or your parents alike — and chilling where Capone chilled? Badass.
0
He has crooned many a Mobster
A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat that helped some of his earlier material cross over to R&B audiences (his songs were also covered by jump blues artists from time to time). His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match. Perhaps because Prima refused to take his music too seriously, sober-minded jazz critics often dismissed him as a mere entertainer, overlooking his very real talent as a jazzman. He was a capable, gravelly-voiced singer modeled on Louis Armstrong, boasting a surprising range, and was also a fine trumpet player, again in the irrepressible mold of Armstrong; what was more, he wrote Benny Goodman's perennial swing smash "Sing, Sing, Sing." Prima's impact on popular culture was also significant; his pronounced ethnicity made it safe for other Italian-American singers to acknowledge their roots, and he was the first high-profile musical act to take up regular residence in the lounges and casinos of Las Vegas, helping to start the city's transformation into a broader-based entertainment capital. His musical legacy proved long-lasting, as covers of his classics became modern-day hits for David Lee Roth and Brian Setzer; additionally, the '90s swing revival, which sought to re-emphasize the danceability and sense of fun that had largely disappeared from jazz, brought Prima's music back into the limelight (as well as the good graces of critics).
Louis Prima was born December 7, 1911 in New Orleans, LA, to an Italian family who'd emigrated to the U.S. by way of Argentina. He took violin lessons as a youth, but switched to trumpet at age 15 when his older brother went out on tour with a band and left a spare instrument behind. By 17, Prima was playing professionally at a New Orleans theater, influenced chiefly by Louis Armstrong and King Oliver. This was a problem, since the theater was not a jazz venue, and Prima was fired. In the early '30s, he caught on with cornetist Red Nichols for a time, and moved to New York in 1934 at the urging of star bandleader Guy Lombardo, who had been impressed with Prima's trumpet playing. Initially struggling to find work, Prima formed a Dixieland-style backing group called the New Orleans Gang and landed a regular gig at a 52nd Street club known as the Famous Door. The band was a hit, adopting "Way Down Yonder in New Orleans" as their signature song, and recorded numerous sides for a succession of labels up through 1939; some of the better-known members included -- at various points -- clarinetist Pee Wee Russell, pianist Claude Thornhill, guitarist George Van Eps, reedman Eddie Miller, and trombonist George Brunies. Prima also traveled to Los Angeles periodically, and made cameo appearances in several Hollywood musicals, starting with the Bing Crosby Western Rhythm on the Range in 1936.
Meanwhile, Prima was composing original material, and in 1937 he completed a song called "Sing, Sing, Sing." Benny Goodman recorded an instrumental version and had a huge smash with it the following year, spotlighting it in his legendary Carnegie Hall appearance; to this day it remains one of the most readily identifiable melodies of the swing era. Prima broke up the New Orleans Gang in 1939 to form his own big band, which he dubbed the Gleeby Rhythm Orchestra. Following World War II, the band started to take off, landing hits with novelty numbers that often drew upon Prima's Italian background and accent. The first was 1944's "Angelina," a major success that paved the way for titles like "Felicia No Capicia," "Bacciagaloop (Makes Love on the Stoop)," "Please No Squeeza Da Banana," and "Josephina, Please No Leana on the Bell." Prima also made the Hit Parade Top Ten with songs like "Robin Hood" (1944; covered the next year by Les Brown for a bigger hit), "Bell Bottom Trousers" (sung by Lily Ann Carol in 1945), and "Civilization (Bongo, Bongo, Bongo)" (1947). He also wrote Jo Stafford's 1947 hit "A Sunday Kind of Love."}
In 1948, Prima hired a new female vocalist for his band, a 16-year-old Norfolk, Virginia native named Dorothy Keely, who was renamed Keely Smith. Prima parlayed her initial shyness into a stage routine where he attempted to break down her icily reserved façade. The contrast in their styles made for immediate chemistry, and Smith's boyish haircut only added to the duo's distinctive stage presence. Prima broke up the big band in 1949, and continued to work with Smith as a more streamlined nightclub act. They scored a hit in 1950 with their co-composition "Oh Babe!" and toured the country over the next few years. In the summer of 1953, Smith became Prima's fourth wife.
By late 1954, Prima was finding bookings harder and harder to come by. He talked a friend into booking him for an extended stay at the Sahara Hotel in Las Vegas, and while passing through New Orleans, he recruited locally popular tenor saxophonist Sam Butera as a possible collaborator if things went well. They did, and Prima called Butera out to Vegas, asking him to bring a few more musicians; the new group debuted at the Sahara on the day after Christmas, and Butera dubbed them the Witnesses during Prima's first on-stage introduction. Their act quickly became a sensation around Las Vegas, and their engagement turned into a residency, billed as "The Wildest Show in Vegas," which ran up to five times a night. Prima and Smith's comic banter was riddled with sexual innuendo, and they sometimes rewrote the lyrics to popular standards in the same spirit; meanwhile, Butera's jump blues/R&B background kept the music equally lively. Even if the music was aimed at older listeners, it shared a great deal of the spirit of early rock & roll.
In 1956, Prima inked a new deal with Capitol, which marked the beginning of the most celebrated and influential period of his recording career. His first album for the label was 1956's The Wildest!, which successfully translated the high energy of his live act into a studio recording; it featured many of his best-known latter-day songs, including the "Just a Gigolo/I Ain't Got Nobody" medley, "Jump, Jive an' Wail," "Buona Sera," "Oh Marie," and the jive-talking duet "The Lip." Over the next few years, Capitol issued six more Prima albums, highlighted by 1957's The Call of the Wildest and 1958's concert set The Wildest Show in Tahoe. He appeared frequently on The Ed Sullivan Show and other variety programs, and in 1958 he and Smith won a Grammy for their hit version of "That Old Black Magic." In 1959, they appeared in the film Hey Boy! Hey Girl!, which featured their renditions of the title song, "Lazy River," and "Banana Split for My Baby," among others.
While Prima and Smith boasted terrific chemistry on stage, their infidelity-riddled marriage was floundering by the close of the '50s. In 1961, Prima switched from Capitol to Dot Records, and from the Sahara Hotel to the Desert Inn; with his popularity still running high, both deals netted huge sums of money. However, Smith divorced him later that year, scuttling the act and largely negating the deals. Prima returned to Capitol for one final album, 1962's The Wildest Comes Home, and hired a new female vocalist, Gia Maione, who became his fifth wife in 1963. Without Smith, he was never again as popular or prolific on record, but he continued to perform in Las Vegas with Butera and the Witnesses, and toured successfully as well. In 1967, Disney tapped Prima to voice the character of King Louie, ruler of the orangutans, in its animated adaptation of The Jungle Book; his featured number, the swinging "I Wanna Be Like You," ranks among the best-loved Disney songs of its era.
Prima spent much of the late '60s and early '70s playing Vegas casinos and lounges, most notably at the Sands Hotel. With more and more musical acts taking up residence in the city, Prima no longer had the drawing power of old, and in the early '70s he and Butera returned home to New Orleans, where they made a steadier living playing in the French Quarter for the tourist crowd. In late 1975, Prima underwent surgery to remove a brain tumor, and fell into a coma; although he survived for nearly three more years, he never regained consciousness, and died on August 24, 1978. Prima's music began to reappear in subsequent years; ex-Van Halen singer David Lee Roth scored the best-remembered hit of his solo career with a carbon-copy version of "Just a Gigolo/I Ain't Got Nobody" in 1985, and onetime Stray Cat Brian Setzer scored a Grammy-winning hit with his cover of "Jump, Jive an' Wail." Prima's original version was featured in a Gap commercial around the same time, and the swing-dancing fad of the time helped bring the rest of his music back into the public eye. Meanwhile, Sam Butera continued to perform Prima hits from the golden years on the casino circuits in Las Vegas and Atlantic City
Louie Prima..A Chicago Mob Favorite
He has crooned many a Mobster
A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat that helped some of his earlier material cross over to R&B audiences (his songs were also covered by jump blues artists from time to time). His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match. Perhaps because Prima refused to take his music too seriously, sober-minded jazz critics often dismissed him as a mere entertainer, overlooking his very real talent as a jazzman. He was a capable, gravelly-voiced singer modeled on Louis Armstrong, boasting a surprising range, and was also a fine trumpet player, again in the irrepressible mold of Armstrong; what was more, he wrote Benny Goodman's perennial swing smash "Sing, Sing, Sing." Prima's impact on popular culture was also significant; his pronounced ethnicity made it safe for other Italian-American singers to acknowledge their roots, and he was the first high-profile musical act to take up regular residence in the lounges and casinos of Las Vegas, helping to start the city's transformation into a broader-based entertainment capital. His musical legacy proved long-lasting, as covers of his classics became modern-day hits for David Lee Roth and Brian Setzer; additionally, the '90s swing revival, which sought to re-emphasize the danceability and sense of fun that had largely disappeared from jazz, brought Prima's music back into the limelight (as well as the good graces of critics).
Louis Prima was born December 7, 1911 in New Orleans, LA, to an Italian family who'd emigrated to the U.S. by way of Argentina. He took violin lessons as a youth, but switched to trumpet at age 15 when his older brother went out on tour with a band and left a spare instrument behind. By 17, Prima was playing professionally at a New Orleans theater, influenced chiefly by Louis Armstrong and King Oliver. This was a problem, since the theater was not a jazz venue, and Prima was fired. In the early '30s, he caught on with cornetist Red Nichols for a time, and moved to New York in 1934 at the urging of star bandleader Guy Lombardo, who had been impressed with Prima's trumpet playing. Initially struggling to find work, Prima formed a Dixieland-style backing group called the New Orleans Gang and landed a regular gig at a 52nd Street club known as the Famous Door. The band was a hit, adopting "Way Down Yonder in New Orleans" as their signature song, and recorded numerous sides for a succession of labels up through 1939; some of the better-known members included -- at various points -- clarinetist Pee Wee Russell, pianist Claude Thornhill, guitarist George Van Eps, reedman Eddie Miller, and trombonist George Brunies. Prima also traveled to Los Angeles periodically, and made cameo appearances in several Hollywood musicals, starting with the Bing Crosby Western Rhythm on the Range in 1936.
Meanwhile, Prima was composing original material, and in 1937 he completed a song called "Sing, Sing, Sing." Benny Goodman recorded an instrumental version and had a huge smash with it the following year, spotlighting it in his legendary Carnegie Hall appearance; to this day it remains one of the most readily identifiable melodies of the swing era. Prima broke up the New Orleans Gang in 1939 to form his own big band, which he dubbed the Gleeby Rhythm Orchestra. Following World War II, the band started to take off, landing hits with novelty numbers that often drew upon Prima's Italian background and accent. The first was 1944's "Angelina," a major success that paved the way for titles like "Felicia No Capicia," "Bacciagaloop (Makes Love on the Stoop)," "Please No Squeeza Da Banana," and "Josephina, Please No Leana on the Bell." Prima also made the Hit Parade Top Ten with songs like "Robin Hood" (1944; covered the next year by Les Brown for a bigger hit), "Bell Bottom Trousers" (sung by Lily Ann Carol in 1945), and "Civilization (Bongo, Bongo, Bongo)" (1947). He also wrote Jo Stafford's 1947 hit "A Sunday Kind of Love."}
In 1948, Prima hired a new female vocalist for his band, a 16-year-old Norfolk, Virginia native named Dorothy Keely, who was renamed Keely Smith. Prima parlayed her initial shyness into a stage routine where he attempted to break down her icily reserved façade. The contrast in their styles made for immediate chemistry, and Smith's boyish haircut only added to the duo's distinctive stage presence. Prima broke up the big band in 1949, and continued to work with Smith as a more streamlined nightclub act. They scored a hit in 1950 with their co-composition "Oh Babe!" and toured the country over the next few years. In the summer of 1953, Smith became Prima's fourth wife.
By late 1954, Prima was finding bookings harder and harder to come by. He talked a friend into booking him for an extended stay at the Sahara Hotel in Las Vegas, and while passing through New Orleans, he recruited locally popular tenor saxophonist Sam Butera as a possible collaborator if things went well. They did, and Prima called Butera out to Vegas, asking him to bring a few more musicians; the new group debuted at the Sahara on the day after Christmas, and Butera dubbed them the Witnesses during Prima's first on-stage introduction. Their act quickly became a sensation around Las Vegas, and their engagement turned into a residency, billed as "The Wildest Show in Vegas," which ran up to five times a night. Prima and Smith's comic banter was riddled with sexual innuendo, and they sometimes rewrote the lyrics to popular standards in the same spirit; meanwhile, Butera's jump blues/R&B background kept the music equally lively. Even if the music was aimed at older listeners, it shared a great deal of the spirit of early rock & roll.
In 1956, Prima inked a new deal with Capitol, which marked the beginning of the most celebrated and influential period of his recording career. His first album for the label was 1956's The Wildest!, which successfully translated the high energy of his live act into a studio recording; it featured many of his best-known latter-day songs, including the "Just a Gigolo/I Ain't Got Nobody" medley, "Jump, Jive an' Wail," "Buona Sera," "Oh Marie," and the jive-talking duet "The Lip." Over the next few years, Capitol issued six more Prima albums, highlighted by 1957's The Call of the Wildest and 1958's concert set The Wildest Show in Tahoe. He appeared frequently on The Ed Sullivan Show and other variety programs, and in 1958 he and Smith won a Grammy for their hit version of "That Old Black Magic." In 1959, they appeared in the film Hey Boy! Hey Girl!, which featured their renditions of the title song, "Lazy River," and "Banana Split for My Baby," among others.
While Prima and Smith boasted terrific chemistry on stage, their infidelity-riddled marriage was floundering by the close of the '50s. In 1961, Prima switched from Capitol to Dot Records, and from the Sahara Hotel to the Desert Inn; with his popularity still running high, both deals netted huge sums of money. However, Smith divorced him later that year, scuttling the act and largely negating the deals. Prima returned to Capitol for one final album, 1962's The Wildest Comes Home, and hired a new female vocalist, Gia Maione, who became his fifth wife in 1963. Without Smith, he was never again as popular or prolific on record, but he continued to perform in Las Vegas with Butera and the Witnesses, and toured successfully as well. In 1967, Disney tapped Prima to voice the character of King Louie, ruler of the orangutans, in its animated adaptation of The Jungle Book; his featured number, the swinging "I Wanna Be Like You," ranks among the best-loved Disney songs of its era.
Prima spent much of the late '60s and early '70s playing Vegas casinos and lounges, most notably at the Sands Hotel. With more and more musical acts taking up residence in the city, Prima no longer had the drawing power of old, and in the early '70s he and Butera returned home to New Orleans, where they made a steadier living playing in the French Quarter for the tourist crowd. In late 1975, Prima underwent surgery to remove a brain tumor, and fell into a coma; although he survived for nearly three more years, he never regained consciousness, and died on August 24, 1978. Prima's music began to reappear in subsequent years; ex-Van Halen singer David Lee Roth scored the best-remembered hit of his solo career with a carbon-copy version of "Just a Gigolo/I Ain't Got Nobody" in 1985, and onetime Stray Cat Brian Setzer scored a Grammy-winning hit with his cover of "Jump, Jive an' Wail." Prima's original version was featured in a Gap commercial around the same time, and the swing-dancing fad of the time helped bring the rest of his music back into the public eye. Meanwhile, Sam Butera continued to perform Prima hits from the golden years on the casino circuits in Las Vegas and Atlantic City
0
This spring, Luca Lanzetta, owner of the modern Italian kitchen showroom Ernestomeda at LuxeHome, is opening Antonio Lupi, a freestanding Italian bath showroom in River North devoted to Lupi’s sleek lines (516 N. Wells St., 312-479-5632). Mariposa Design Studio, owned by interior designer Kathleen Hanzel, offering many to-the-trade fabrics and trims at discounted prices, along with custom bedding and various upholstery services, and some antiques and accessories, at 115 E. Cedar Ave., in Century Corners, St. Charles, 847-417-0137. An expanded Chelsea Passage will open on the 6th floor of the new Barneys New York at 15 E. Oak St., 312-587-1700.
Want a Godfather Bathroom ???
This spring, Luca Lanzetta, owner of the modern Italian kitchen showroom Ernestomeda at LuxeHome, is opening Antonio Lupi, a freestanding Italian bath showroom in River North devoted to Lupi’s sleek lines (516 N. Wells St., 312-479-5632). Mariposa Design Studio, owned by interior designer Kathleen Hanzel, offering many to-the-trade fabrics and trims at discounted prices, along with custom bedding and various upholstery services, and some antiques and accessories, at 115 E. Cedar Ave., in Century Corners, St. Charles, 847-417-0137. An expanded Chelsea Passage will open on the 6th floor of the new Barneys New York at 15 E. Oak St., 312-587-1700.
0
500,000 dollars bond for a residential burglary??? Guess cuz he's Italian huh,The moolies and mexicans get out on an O.R and no bond Kinda makes you wonder about the justice system and Italians.... Ita a disgrace!!!!!!!
March 6, 2009 (CHICAGO) -- A man once known as an enforcer for the Chicago mob has been indicted on a charge of illegal possession of a gun.
Fifty-four-year-old Mario Rainone was arrested on a charge of residential burglary on Feb. 13 and is currently being held by Lake County authorities in lieu of $500,000 bond.
The one-count federal indictment charged Rainone with being a career criminal in possession of a firearm. Police found the gun when they searched his home following his arrest.
Rainone was sentenced to 17 1/2 years in 1992 after pleading guilty to a racketeering charge. Prosecutors said he told a restaurant owner he would end up in his own walk-in freezer if he didn't pay $2,000 a month.
Wait Till You Read This .................
500,000 dollars bond for a residential burglary??? Guess cuz he's Italian huh,The moolies and mexicans get out on an O.R and no bond Kinda makes you wonder about the justice system and Italians.... Ita a disgrace!!!!!!!
March 6, 2009 (CHICAGO) -- A man once known as an enforcer for the Chicago mob has been indicted on a charge of illegal possession of a gun.
Fifty-four-year-old Mario Rainone was arrested on a charge of residential burglary on Feb. 13 and is currently being held by Lake County authorities in lieu of $500,000 bond.
The one-count federal indictment charged Rainone with being a career criminal in possession of a firearm. Police found the gun when they searched his home following his arrest.
Rainone was sentenced to 17 1/2 years in 1992 after pleading guilty to a racketeering charge. Prosecutors said he told a restaurant owner he would end up in his own walk-in freezer if he didn't pay $2,000 a month.
0
I Owe My Mother
1. My mother taught me TO APPRECIATE A JOB WELL DONE .
"If you're going to kill each other, do it outside. I just finished cleaning."
2. My mother taught me RELIGION.
"You better pray that will come out of the carpet."
3. My mother taught me about TIME TRAVEL.
"If you don't straighten up, I'm going to knock you into the middle of next week!"
4. My mother taught me LOGIC.
" Because I said so, that's why."
5. My mother taught me MORE LOGIC .
"If you fall out of that swing and break your neck, you're not going to the store with me."
6. My mother taught me FORESIGHT.
"Make sure you wear clean underwear, in case you're in an accident."
7. My mother taught me IRONY.
"Keep crying, and I'll give you something to cry about."
8. My mother taught me about the science of OSMOSIS .
"Shut your mouth and eat your supper."
9. My mother taught me about CONTORTIONISM.
"Will you look at that dirt on the back of your neck!"
10. My mother taught me about STAMINA .
"You'll sit there until all that spinach is gone."
11. My mother taught me about WEATHER.
"This room of yours looks as if a tornado went through it."
12. My mother taught me about HYPOCRISY.
"If I told you once, I've told you a million times. Don't exaggerate!"
13. My mother taught me the CIRCLE OF LIFE.
"I brought you into this world, and I can take you out."
14. My mother taught me about BEHAVIOUR MODIFICATION .
"Stop acting like your father!"
15. My mother taught me about ENVY.
"There are millions of less fortunate children in this world who don't have wonderful parents like you do."
16. My mother taught me about ANTICIPATION.
"Just wait until we get home."
17. My mother taught me about RECEIVING .
"You are going to get it when you get home!"
18. My mother taught me MEDICAL SCIENCE.
"If you don't stop crossing your eyes, they are going to get stuck that way."
19. My mother taught me ESP.
"Put your sweater on; don't you think I know when you are cold?"
20. My mother taught me HUMOUR.
"When that lawn mower cuts off your toes, don't come running to me."
21. My mother taught me HOW TO BECOME AN ADULT .
"If you don't eat your vegetables, you'll never grow up."
22. My mother taught me GENETICS.
"You're just like your father."
23. My mother taught me about my ROOTS.
"Shut that door behind you. Do you think you were born in a barn?"
24. My mother taught me WISDOM..
"When you get to be my age, you'll understand."
And my favorite: 25. My mother taught me about JUSTICE .
"One day you'll have kids, and I hope they turn out just like you
I owe My Mom ...Italian Style
I Owe My Mother
1. My mother taught me TO APPRECIATE A JOB WELL DONE .
"If you're going to kill each other, do it outside. I just finished cleaning."
2. My mother taught me RELIGION.
"You better pray that will come out of the carpet."
3. My mother taught me about TIME TRAVEL.
"If you don't straighten up, I'm going to knock you into the middle of next week!"
4. My mother taught me LOGIC.
" Because I said so, that's why."
5. My mother taught me MORE LOGIC .
"If you fall out of that swing and break your neck, you're not going to the store with me."
6. My mother taught me FORESIGHT.
"Make sure you wear clean underwear, in case you're in an accident."
7. My mother taught me IRONY.
"Keep crying, and I'll give you something to cry about."
8. My mother taught me about the science of OSMOSIS .
"Shut your mouth and eat your supper."
9. My mother taught me about CONTORTIONISM.
"Will you look at that dirt on the back of your neck!"
10. My mother taught me about STAMINA .
"You'll sit there until all that spinach is gone."
11. My mother taught me about WEATHER.
"This room of yours looks as if a tornado went through it."
12. My mother taught me about HYPOCRISY.
"If I told you once, I've told you a million times. Don't exaggerate!"
13. My mother taught me the CIRCLE OF LIFE.
"I brought you into this world, and I can take you out."
14. My mother taught me about BEHAVIOUR MODIFICATION .
"Stop acting like your father!"
15. My mother taught me about ENVY.
"There are millions of less fortunate children in this world who don't have wonderful parents like you do."
16. My mother taught me about ANTICIPATION.
"Just wait until we get home."
17. My mother taught me about RECEIVING .
"You are going to get it when you get home!"
18. My mother taught me MEDICAL SCIENCE.
"If you don't stop crossing your eyes, they are going to get stuck that way."
19. My mother taught me ESP.
"Put your sweater on; don't you think I know when you are cold?"
20. My mother taught me HUMOUR.
"When that lawn mower cuts off your toes, don't come running to me."
21. My mother taught me HOW TO BECOME AN ADULT .
"If you don't eat your vegetables, you'll never grow up."
22. My mother taught me GENETICS.
"You're just like your father."
23. My mother taught me about my ROOTS.
"Shut that door behind you. Do you think you were born in a barn?"
24. My mother taught me WISDOM..
"When you get to be my age, you'll understand."
And my favorite: 25. My mother taught me about JUSTICE .
"One day you'll have kids, and I hope they turn out just like you
1
From Wikipedia, the free encyclopedia
Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.
Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.
Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]
The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.
1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]
By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]
Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].
Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.
Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.
In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.
Other "Little Italies" in Chicago
A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."
Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]
"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]
References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.
From Wikipedia, the free encyclopedia
Little Italy, Chicago
From Wikipedia, the free encyclopedia
Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.
Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.
Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]
The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.
1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]
By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]
Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].
Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.
Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.
In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.
Other "Little Italies" in Chicago
A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."
Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]
"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]
References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.
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