Your From Chicago When................

1. The "living room" was called the "front room."
2. You don't pronounce the "s" at the end of Illinois. You become irate at people who do.
3. You measure distance in minutes (especially "from the city"). And you swear                    everything is pretty much 1/2 hour away.
4. You have no problem spelling or pronouncing "Des Plaines."
5. You go to visit friends or family down south and laugh when they complain about the     traffic.
6. You understand that no person from Chicago can be a Cub fan AND a White Sox fan.
7. It's "kitty corner" not "katty corner".
8. You know the difference between"The Loop"and "Downtown."
9. You eat your pizza in squares, not triangles, and you never refer to it as "pie"
10. You own celery salt.
11. You understand that the primary is the official local election.
12. You know what a garache-key is!
13. Stores don't have sacks, they have bags.
14. You end your sentences with an unnecessary preposition. Example: "Where's my coat at?" or "Can I go with?"
15. Your idea of a great tenderloin is when the meat is twice as big as the bun, "everything" is on it and a slice of dill pickle is on the side.
16. You carry jumper cables in your car.
17. You drink "pop."
18. You understand that I-290, I-90, I-94, and I-294 are all different roads.
19. You know the names of the interstates: Stevenson, Kennedy, Eisenhower, Dan Ryan, and the Eden's.
20. But you call the interstates "expressways."
21. You refer to anything South of I-80 as "Southern or Central Illinois."
22. You refer to Lake Michigan as "The Lake."
23. You refer to Chicago as "The City."
24. "The Super Bowl" refers to one specific game in January, 1986.
25. You have two favorite football teams: The Bears, and anyone who beats the Packers.
26. You buy "The Trib" and not the Tribune.
27. You know that despite being on the lake, there is no such place as the Waterfront.
28. You think 45 degrees is great weather to wash your car.
29. You picnic or ride your bike in the "fore st preserve."
30. You cried when Bozo was canceled on WGN.
31. You know what goes on a Chicago-style hot dog.
32. You know what Chicago Style Pizza REALLY is.
33. You know why they call Chicago "The Windy City."
34. You understand what "lake-effect" means.
35. You know the difference between Amtrak and Metra, and know at which station they end up.
37. You have ridden the "L."
38. You think your next-door neighbor is a cousin to Tony Soprano.
39. You can distinguish between the following area codes: 847, 630, 773, 708, 312, & 815.
40. You have at some time in your life used your furniture or a friend's body to guard your parking spot in winter.
41. You respond to the question "Where are you from?" with a "side." Example: "West Side," "South Side" or "North Side."
42. You know the phone number for Empire Carpet!

YO YO YO !!!

The Pizza Dance

Your Comments Please

1. 
   

   626 North State Street Chicago (312) 698-5000

   According to http://www.gayot.com

   Quartino

   www.quartinochicago.com

   
   

    290 Google reviews

2. 71 West Monroe Street Chicago (312) 332-4040

   Vivere

   www.vivere-chicago.com

   
   

    80 Google reviews

3. 521 North Rush Street Chicago (312) 396-0001

   Buca di Beppo - Chicago - Rush and Grand

   www.bucadibeppo.com/.../default1305.aspx

   
   

    43 Google reviews

4. 71 West Monroe Street Chicago (312) 332-7005

   Italian Village Restaurants

   italianvillage-chicago.net

   
   

    283 Google reviews

5. 1431 West Taylor Street Chicago (312) 226-5566

   National Italian American Sports Hall Of Fame

   www.niashf.org

   
   

   1 Google review

6. 29 East Ohio Street Chicago (312) 321-1000

   Pizzeria Uno

   www.unos.com

   
   

    261 Google reviews

7. 437 North Rush Street Chicago (312) 222-0101

   Phil Stefani's 437 Rush

   www.philstefanis437rush.com

   
   

    60 Google reviews

Snitches and Beefers

Listing of the Mob Rats, Snitches and Beefers

Richard Cain
(Sam Giancana's former driver)
His role in Cook County Sheriff's History

John Christopher (Operation Silver Shovel)

Robert Cooley (Operation Gambat)

Salvatore "Sammy The Bull" Gravano
(beefed on New York's Gambino Family Boss John "The Dapper Don" Gotti)


Henry Hill (Goodfellas fame)

Joseph "Joe Dogs" Iannuzzi
Florida member of the Gambino Family

William "B.J." Jahoda (Cicero, Illinois)
See Ernest Rocco Infelise


Angelo Lonardo
Cleveland Underboss & Snitch

Philip Leonetti
(Philadelphia/Atlantic City Mob)

Michael Raymond

Terry Salem
(Las Vegas Mob pal & rat)

Louis Shumway
Al Capone Accountant & Snitch

Joseph Valachi
Genovese Soldier who turned on his bosses in 1963

Cameron Crawford
Arizona Bus Bum 2012..(Sold out a Friend)

The Making Of A Chicago Outfit

How six recent Columbia College grads got Hollywood muscle to help them make their mob movie


Chris Charles says he warned his star up front: "But I don't think it really registered till his first day of shooting in downtown Chicago."






Charles had cast Frank Vincent as the lead in Chicago Overcoat, an independent drama that will receive its world premiere Saturday, October 10, at the Chicago International Film Festival. Known almost exclusively for playing gangsters—including New York crime boss Phil Leotardo on The Sopranos and Billy Batts, who ends up in a trunk in Goodfellas—Vincent, 70, got to the set in October 2007 and realized that most of the crew were in their early 20s. "He's looking around like, 'Where'd all these kids come from?'" says Charles, who's now 25.






Chicago Overcoat was the first full-length feature produced by Beverly Ridge Pictures, a company formed in 2005 by six Columbia College film students, including Charles. Writer-director Brian Caunter, now 26, and writer-producer John Bosher, now 25, developed a sideline producing promotional and music videos while roommates at Columbia. Their "booty video," as Caunter calls it, for Joe Glass & IROC's "Two" got heavy rotation on BET Uncut in 2004. The next year, Caunter and Bosher joined forces with Charles, Philip Plowden, Kevin Moss, and William Maursky to form Beverly Ridge, named after Moss's far-south-side neighborhood. "The name sounds Hollywood, but it's also kind of Chicago," Caunter explains. They used Givens Castle, a Beverly landmark, as their logo. Charles directed Beverly Ridge's first production, a short adaptation of the Ray Bradbury short story "The Small Assassin."






In 2006 the six friends worked on a low-budget thriller called The Devil's Dominoes, directed by Scott Prestin, owner of the now-defunct Wicker Park bar Ginbucks. "We realized from that experience that we were more prepared than we thought to make a feature," Charles says. They were all fans of gangster films and figured they could make one without incurring a lot of extra production costs by taking advantage of Chicago locations.






"For months all we had was a title," says Caunter. His grandmother in Ohio had suggested "Chicago Overcoat," Prohibition-era slang for a coffin. The Family Secrets mob trials were in the headlines at the time and wound up providing inspiration for the screenplay.






Vincent plays Lou Marazano, an old hit man for the Chicago Outfit, who accepts his first contract in years—going after witnesses in a union pension-fund embezzlement case—to finance his Vegas retirement. Another Goodfellas vet, Mike Starr, is the underboss who exploits Marazano's money troubles. Another Sopranos alum, Kathrine Narducci, plays Marazano's old flame and alibi. Armand Assante plays the jailed boss facing trial. Chicago-based actor Danny Goldring is the alcoholic detective who's been chasing Marazano since the 1980s. And Stacy Keach does a cameo as a retired investigator pulled off the case when he got too close to city corruption.






"We were huge fans of The Sopranos," Caunter says. "We decided to write the script with Frank Vincent in mind so when he read it he'd feel like the main character is Frank Vincent. His book A Guy's Guide to Being a Man's Man was our character outline." The partners figured that "if we could create roles from scratch for celebrities, knowing they'd want to play something different, something challenging, we'd have an easier time recruiting them," Charles says. "We usually see Frank as a high-rolling mobster, higher on the food chain. In this film he's very humbled, very flawed, taking orders from guys younger than him."






Charles got the script to Vincent's people, and Vincent responded even though it came from unknowns in flyover country. "What appealed to me was the sensitivity of playing the softer side of a mob guy," Vincent says, "a guy who's not in control, who's looking to get the control." Vincent says he met a lot of mafiosi while touring as a drummer for Del Shannon and Paul Anka in the 1960s, helping him perfect a persona he's portrayed in Scorsese masterpieces and B movies alike. "They all have a way of looking at you, of intimidating you," Vincent says. "They're all evil. I can give a look or a stare that people read as evil."






Caunter and Charles signed Vincent at a place called Goodfellas Ristorante near his New Jersey home. "Frank walked in in a jumpsuit with a gold chain, looking like he walked off the set of The Sopranos," Charles says.






Once Vincent signed on, the other leads followed. Joe Mantegna was cast as the detective but dropped out weeks before shooting to take a role on CBS's Criminal Minds. "That was tough," Charles says. "I'd worked very hard to cast Joe." Goldring, who played the last clown killed in the opening bank heist sequence of The Dark Knight, stepped in. "They're so young, but they really got the writing for old-timers down," Goldring says.






The mother of cinematographer Kevin Moss, JoAnne Moss, who runs a real estate title insurance firm, personally invested "hundreds of thousands of dollars" and helped raise the rest of the $2 million budget, according to a report in Crain's Chicago Business. "Originally it was a smaller film. But as we found some success attaching talent, the budget increased," Charles says. "The project just kept getting bigger."






The filmmakers' youth "concerned me, absolutely," Vincent says. "They were younger than my kids. I've never experienced that before in all the films I've done, such a young team. . . . I figured if they were going to screw up, they'd screw up right away. As we progressed into the shoot, it became clear that they really knew what they wanted, and that was enough to make me confident."






Caunter, who turned 24 during the shoot, says he felt like "a chicken with its head cut off. Most of the time you have no idea what's going on. You feel like the world is going to end. You shoot for 12 hours, you come home and feel like you failed. The next day you feel like you want to redeem yourself. I think that's what makes a good movie—the struggle. If everything went your way it might feel kind of washy. I never had that experience, so I don't know."






The biggest adjustment for Caunter was learning to adapt to each actor's approach. "Frank is quite easygoing," he says. "Armand is the polar opposite. Armand would scream obscenities at the top of his lungs before the take. That alone would scare half the set, and then we'd roll the camera."






"They turned me loose," says Goldring. "That can be a dangerous thing for any actor, but they also had the good sense to rein me in. I'm a passion merchant. Doing Chicago Overcoat allowed me to let my passions out. The [character] is . . . ornery. He likes to tip back a few. Even though I don't do that anymore, I can play one on TV."






Accusations of ethnic stereotyping have dogged many of Vincent's projects. Last spring, MillerCoors pulled a series of ads featuring Vincent and Starr as mobsters after complaints from the Order Sons of Italy in America. Chicago Overcoat is no exception. After principal photography wrapped in November 2007, Bosher got an e-mail from Bill Dal Cerro of the advocacy group Italic Institute of America. Dal Cerro wrote, "It saddens—and yes, sickens me—that you are reverting to the oldest game in the book in your quest for Hollywood fame: namely, stoking prejudice against Americans of Italian descent by producing yet another pointless Italian 'mob' movie."

"I told him they can't force us to stop making movies that people want to see," Bosher says. "They have to change people's minds." Let them protest, adds Vincent, who sells "mobbleheads" of his Goodfellas character on his Web site. "It'll do the movie good."




It's going to be tough to recover the $2 million budget in today's independent film market, which is arguably in a deeper slump than the rest of the economy. Todd Slater of LA-based Huntsman Entertainment is shopping the film to distributors. "We've had a lot of offers from smaller companies," Charles says. "We've been waiting patiently for the right buyer. We want an offer we can't refuse


Courtesy of Chicago Reader.com

Italian Heritage ?? Great Reading

The Book chronicles the lives of working Chicago Italians for 80 years through photography and text

For more than a century, Italian immigrants and their descendants contributed their labor and talent to building the city. Chicago Italians at Work focuses on a period from 1890 to 1970 when industry was king in this midwestern metropolis. Generations of Italians found work in companies such as U.S. Steel, Western Electric, Pullman, Crane, McCormick/Harvester, Hart Schaffner and Marx, and other large industrial corporations. Other Italians were self-employed as barbers, shoe workers, tailors, musicians, construction workers, and more. In many of these trades, Italians were predominant. A complex network of family enterprises also operated in the Chicago Italian community. Small shopkeepers generated work in food services and retail employment; some of these ma-and-pa operations grew into large, prosperous enterprises that survive today. Finally, Italians helped develop trade unions, which created long-term economic gains for all ethnic groups in Chicago. This book chronicles the labor and contributions of an urban ethnic community through historic photographs and text.

Author Peter Nicholas Pero is a teacher and writer. He has taught courses in labor studies for Roosevelt University and Prairie State College. Pero has published articles on workplace economics through travel in China, Japan, Costa Rica, and Brazil. He lives in Chicago's Little Italy and is a member of the city's Italian-American Labor Council.

To buy the book, visit www.arcadiapublishing.com

AN ITALIAN BOY'S CONFESSION

'Bless me Father, for I have sinned.   
I have been with a loose girl'.   
The priest asks, 'Is that you, little Joey Pagano ?'   
'Yes, Father, it is.'   
'And who was the girl you were with?' 
'I can't tell you, Father. 
I don't want to ruin her reputation'. 


"Well, Joey, I'm sure to find out her name sooner or 
later so you may as well tell me now. 
Was it Tina Minetti?' 
'I cannot say.' 
'Was it Teresa Mazzarelli?' 
'I'll never tell.' 


'Was it Nina Capelli?' 
'I'm sorry, but I cannot name her.' 
'Was it Cathy Piriano?' 
'My lips are sealed.' 


'Was it Rosa DiAngelo, then?' 
'Please, Father, I cannot tell you.'   
The priest sighs in frustration.   
'You're very tight lipped, and I admire that.   
But you've sinned and have to atone.   
You cannot be an altar boy now for 4 months.   


Now you go and behave yourself.'   
Joey walks back to his pew, and his friend Franco slides over and whispers,   
'What'd you get?' Four months vacation and five good leads.

Somewhere New For The Witness Protection Crew here in Az ???

Transplanted Chicagoans were downright giddy Tuesday at the news that Portillo’s Hot Dogs is looking to expand its restaurant chain to the Phoenix area.

Portillo’s is an icon in Chicagoland, loved and remembered by the tens of thousands of local residents who moved out of Illinois over the years to make Arizona their home.

You can include me in that bunch. I grew up eating the scrumptious Chicago-style hot dogs and Italian beef sandwiches at the local Portillo’s just a few minutes away from where my parents still live in Naperville, Ill. And yes, I went to Portillo’s for lunch when I was back to visit for Christmas. That’s just what you do when you “go back.”

Portillo’s is looking to build new restaurants at Tempe Marketplace, Chandler Fashion Center and other locations in Phoenix or Scottsdale.
When word spread of the news yesterday, I received a handful of emails and Facebook messages about the news. Al Maag, chief communications officer at Phoenix-based Avnet Inc.    , is a Chicago native. He said one of the reasons he loves the Phoenix area is because there are so many Chicagoans here.


“I feel it’s the western suburbs of Chicago without the snow and traffic congestion,” he said.Maag said there are thousands of hot dog stands in Chicago, but Portillo’s stands out.
“When I travel back to Chicago my first stop is Portillo’s for a beef sandwich and hot dog,” he said. “Heck, my family and I have it shipped here four times a year for special parties. I remember when In-N-Out came here the lines were pretty long. When Portillo’s comes it will be a happening of a higher magnitude. My guess is the last car will be in Tucson.”

Stephanie Lough, an account coordinator at HMA Public Relations    in Phoenix, didn’t grow up in the Chicago area, but she’s been bitten by the Portillo’s bug.

Best Mob Movie List

The Godfather (1972) - Not only is it the best Mob movie of all time, it's one of the best movies period.

Goodfellas (1990) - Martin Scorcese at his best. Lost the Best Picture Oscar to Dances With Wolves. A winner in any other year.

The Godfather Part II (1974) - The only sequel to win a best picture Oscar. Yes, it's that good.

Donnie Brasco (1997) - Stars Al Pacino and Johnny Depp. Enough said!


Scarface (1983) - Brian DePalma's best film. By the way, Al Pacino would like you to meet his friend.

A History of Violence (2005) - A graphic illustration of what might have happened had Charles Manson visited Mayberry- only darker! William Hurt is phenomenal here.

The Departed (2006) - The question of whether a definitive list of Scorsese pictures will include The Departed has been answered. It's brilliant!

On the Waterfront (1954) - One of the best films of all time. Brando displays one of the best acting performances ever to be captured on film.


Reservoir Dogs (1992) - Quentin Tarantino's best film? Mr. Pink thinks so.

Casino (1995) - Another Scorcese Mob film. Not as good as Goodfellas, but still pretty damn good!

A Bronx Tale (1993) - DeNiro's directorial debut. And a fine debut it is. And he stars in the film too.

The Untouchables (1987) - Elliot Ness cleans up the Chicago underworld. Directed by Brian de Palma, written by David Mamet, starring Kevin Costner. How's that for firepower?

The Dark Knight (2008) - Heath Ledger's performance aside, it's just a great movie. Not really as much a superhero tale as it is a brilliant crime drama that happens to feature a superhero.

Carlito's Way (1993) - De Palma and Pacino sure know their way around a gangster flick!


Pulp Fiction (1994) - Tarantino's sophomore effort. No sophomore slump here! Style and verve that have been copied ever since.

Heat (1995) - The first time De Niro and Pacino acted together. Chemistry, chemistry, chemistry.

Jackie Brown (1997) - Another Tarantino classic. Hip, stylish and pure Tarantino!

Boondock Saints (1999) - Little known, but a huge cult classic.

Bonnie and Clyde (1967) - Not a Mafia movie, but a gangster flick nonetheless. One of the most controversial films of the 1960s. And there was a lot of controversy in the 60s! Towards the top of many "best films of all times" lists.

Miller's Crossing (1990) - Lust, vengeance, and Ireland! All the things that make a good Mob movie!

Analyze This (1998) - A change of pace for a gangster pic, but worth the look anyway. Good to see De Niro do levity.

The Sopranos (2000- 2007) - Sure, it's not a movie, but it's the best show on TV, so it deserves a mention here. Will unfortunately typecast Gandolfini to the point of unrecoverability.

Road to Perdition (2002) - A Sam Mendes masterpiece. It's a cold, brooding noir piece with violence, intrigue, style and of course the father son dynamic.

Operation Family Secrets

Operation Family Secrets was an FBI investigation of mob related crimes in Chicago. According to the FBI it was one of the most successful investigations of organized crime done by the FBI ever.^[1] The investigation and trial was accurately dubbed "Family Secrets" because of the betrayal within the Calabrese family. The son, Frank Calabrese, Jr., and brother, Nick Calabrese, of a Chicago Outfit mob hit man, Frank Calabrese, Sr. provided testimony that was instrumental to the success of Operation Family Secrets. The investigation led to indictments of 14 defendants affiliated with the Chicago Outfit, which has been one of the most prolific organized crime enterprises in the United States.^[2] The most heinous of their crimes investigated were the 18 murders and one attempted murder that took place over the span between the years 1970 and 1986. All of the murders and other crimes being charged to the defendants were allegedly committed to further the Outfit's illegal activities such as loansharking, bookmaking and protecting the enterprise from law enforcement. Operation Family Secrets was a milestone in the FBI's battle against organized crime in the city of Chicago that will have a significant effect on the operations of the Chicago Outfit, but it did not end the Outfit's reign in Chicago. The FBI and local law enforcement agencies will continue their efforts to eradicate organized crime in Chicago.^[3]

Contents [hide] 1 Murder Table 2 The Investigation 2.1 Frank, Jr.'s Letter to the FBI 2.2 Nick Calabrese's Cooperation with Federal Agents 3 The Trial 3.1 Sentencing 4 Notes

[edit] Murder Table

The following list is of the murders committed as objectives of the Chicago Outfit that were investigated in Operation Family Secrets.^[4]

Date of Murder	Killer(s)	Victim(s)	Location of Murder
August, 1970	Frank Calabrese, Sr.	Michael "Hambone" Albergo	Chicago, Illinois
September 27, 1974	Joseph Lombardo and Frank Schweihs	Daniel Siefert	Bensenville, Illinois
June 24, 1976	Frank Calabrese, Sr.	Paul Haggerty	Chicago, Illinois
March 15, 1977	Frank Calabrese, Sr.	Henry Cosentino	Chicago, Illinois
January 16, 1978	Frank Calabrese, Sr.	John Mendell	Chicago, Illinois
January 31, 1978	Frank Calabrese, Sr.	Donald Renno and Vincent Moretti	Cicero, Illinois
July 2, 1980	Frank Calabrese, Sr.	William Dauber and Charlette Dauber	Will County, Illinois
December 30, 1980	Frank Calabrese, Sr.	William Petrocelli	Cicero, Illinois
June 24, 1981	Frank Calabrese, Sr.	Michael Cagnoni	DuPage County, Illinois
September 13, 1981	James Marcello	Nicholas D'Andrea	Chicago Heights, Illinois
April 24, 1982	James Marcello and Frank Calabrese, Sr.	Individual A	Lake County, Illinois
July 23, 1983	Frank Calabrese, Sr.	Richard D. Ortiz and Arthur Morawski	Cicero, Illinois
June 6, 1986	Frank Schweihs and Paul Schiro	Emil Vaci	Phoenix, Arizona
June 14, 1986	James Marcello	Anthony Spilotro and Michael Spilotro	DuPage County, Illinois
September 14, 1986	Nicholas Calabrese and Frank Calabrese, Sr.	John Fecarotta	Chicago, Illinois

[edit] The Investigation

[edit] Frank, Jr.'s Letter to the FBI

The investigation began on July 27, 1998 when Frank Calabrese, Jr. wrote a letter to the FBI saying he wanted help put his father in jail. The letter was sent without warning from the federal correctional facility in Milan, Michigan where both Frank Jr. and Sr, were incarcerated since 1995 when four members of the Calabrese family had been sentenced for collecting juice loans and racketeering an auto repair business. In his letter Frank Jr. requested a face-to-face meeting in which he planned to give the FBI information about his father's crimes, business of the Chicago Outfit street crews, and the murder of John Fecorotta.^[5] Frank Jr.'s letter read, "This is no game. I feel I have to help keep this sick man locked up forever."^[6] Frank, Jr. and his father had rough patches in their relationship over the years. Frank, Jr. had stolen hundreds of thousands of dollars in cash from his father which he blew away on a cocaine addiction and a bad business decision.^[7] In the wake of his son's disloyalty, Frank Sr. allegedly forced a gun to his son's head and threatened to kill him.^[8] This and many other instances of Frank, Sr.'s abuse and poor fathering of his sons contributed to Frank, Jr.'s desire to help the FBI bring him down for hard time. Frank Calabrese, Jr. volunteered to record conversations he had with his father while they were imprisoned. Frank Jr. wore a pair of headphones around his neck that the FBI fitted with hidden a microphone to record conversation between the father and son. It was not difficult for Frank Jr. to direct his conversations in the prison courtyard and recreational facilities with his father towards information that would benefit the FBI's quickly assembling investigation. Frank Sr. would tell his son in a bragging manner about criminal activities of his past.

[edit] Nick Calabrese's Cooperation with Federal Agents

Federal agents Michael Maseth, Tom Bourgeois, and Michael Hartnett were assigned to the investigation. They began to put together pieces of information on the Fecarotta murder. Frank Sr. spoke nervously to his son about a pair of gloves that were mistakenly left on the scene of the Fecorotta murder by his brother Nick Calabrese. Frank Sr. knew the gloves were enough evidence to convict his brother for murder and he feared that his brother would turn on the Outfit in order to receive a lighter sentencing. The FBI took this information and reopened the unsolved Fecoratta case. Agents Bourgeois and Hartnett went to visit Nick Calabrese who they had put in jail a few years earlier to pursue him as the suspect in the Fecarotta murder case. When the investigation team had a sample of DNA taken from Nick, Nick's vulnerability became apparent. With his DNA matching that of the gloves used in the Fecarotta murder Nick Calabrese knew he was going down and was willing to betray the criminal organization he belonged to along with his brother. Nick cooperated with the FBI for months by giving depositions about the murders that he witnessed, took part in, and was told about. He also gave the government key information about how the Chicago Outfit operated.

[edit] The Trial

The FBI turned in a 43-page indictment that was created by the Family Secrets investigation in April 2005. Operation Family Secrets was unprecedented for the fact that it named the entire Chicago Outfit as a criminal enterprise. Assistant United States Attorneys T. Markus Funk, Mitchell Mars and John Scully would represent a the United States in the case. After more than two years, in June 2007 the Family Secrets trial began. Judge James Zagel would hear the case. The evidence was presented between June 28, 2007 and August 8, 2007. The trial included testimony from more than 125 witnesses and over 200 pieces of evidence.^[9] For Calabrese Sr., James Marcello, Joseph “The Clown” Lombardo, Paul “The Indian” Schiro, and Anthony “Twan” Doyle who the five main defendants the trial ended on August 30. The five men were found guilty on all counts for conspiracy and criminal acts of racketeering. Of the other nine defendants six plead guilty, two died before trial (Frank Saladino and Michael Ricci), and lastly Frank "The German" Schweihs was too ill to stand trial.^[10]

[edit] Sentencing

"Joey the Clown" Lombardo, 80; Frank Calabrese, Sr., 71; and James Marcello, 66, were all sentenced the maximum penalty of life in prison for their convictions which included murder.^[11] After admitting his contribution in 14 murders, Nick Calabrese was sentenced to only 12 years in prison, a light punishment rewarded because of unprecedented cooperation. Anthony Doyle, 64, and Paul Schiro, 71, were the only defendants who were not convicted of murder. The Family Secrets trial was a spectacle that added to the reputation for mob history that the city of Chicago has held for a long time.